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Three siblings, played by Juliette Binoche, Charles Berling, and Jérémie Renier, must decide what to do with the country estate and objects they've inherited from their mother. From this simple story, Assayas creates a nuanced, exquisitely made drama about the material of globalized modern living. Naturalistic and unsentimental yet suffused with genuine warmth, this is that rare film that pays respect to family by treating it with honesty. (official distributor synopsis)

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Matty 

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English A pleasant setting with nice, affluent people who deal with existential issues and talk about ordinary things, behind which something more complicated is concealed. The beginning is very Rohmer-esque, and the film becomes more sorrowful from there. No frantic action is set off by the inherited property. For laymen, it is old junk; for professionals, artifacts; for the characters, tangible pieces of the past. Assayas impartially observes the “path” of this inheritance, leaving it up to us to decide what we think about the three siblings (I thought the three telephones were a mean gift, as if to ensure that Helene would contentedly stay where she was) and relying on emotions to arise depending on our own memories. If you don’t have anything to remember, that’s a problem, but I was properly touched by the ending, when even a representative of the younger generation realises what she is losing along with the old house. 80% ()