The Mummy: Tomb of the Dragon Emperor

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Explorer Rick O'Connell to combat the resurrected Han Emperor in an epic that races from the catacombs of ancient China high into the frigid Himalayas. Rick is joined in this all-new adventure by son Alex, wife Evelyn and her brother, Jonathan. And this time, the O'Connells must stop a mummy awoken from a 2,000-year-old curse who threatens to plunge the world into his merciless, unending service. Doomed by a double-crossing sorceress to spend eternity in suspended animation, China's ruthless Dragon Emperor and his 10,000 warriors have laid forgotten for eons, entombed in clay as a vast, silent terra cotta army. But when dashing adventurer Alex O'Connell is tricked into awakening the ruler from eternal slumber, the reckless young archaeologist must seek the help of the only people who know more than he does about taking down the undead: his parents. As the monarch roars back to life, our heroes find his quest for world domination has only intensified over the millennia. Striding the Far East with unimaginable supernatural powers, the Emperor Mummy will rouse his legion as an unstoppable, otherworldly force... unless the O'Connells can stop him first. (official distributor synopsis)

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Reviews (11)

novoten 

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English The third part came like an uninvited poor relative whom you don't like even before they knock on the door. However, while everyone expectedly wanted to kick it out, I found a way to it. And this despite my suffering from the loss of Rachel Weisz and therefore the inevitable transformation of Evelyn into a character who is neither a writer nor an adventurer, just a mandatory maternal element. With the change of director, he also lost a class of more childish humor, but I am still a viewer who hears, admires Brendan Fraser's adventurous position in big-budget archaeological trips, and holds my breath during the prologue, autohonic, or avalanche. Although I was one of the worst prophets, I must now admit that I was surprisingly wrong. Shanghai and the Himalayas cannot replace Egypt and London, but still - thanks for my beloved series only dropping one class and not ending as deep as it could have under the hands of another team. 75% ()

Kaka 

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English Colorful crap from time to time plays on an ambitious and visual effects-loaded note of a wannabe, failed blockbuster. All the atmosphere of the previous parts is gone and the watchable mix of action, romance, and adventure has been replaced by computer-generated avalanches, werewolves, the Terracotta Army, and the boring clown Jet Li. Those who expect an epic sequel will be disappointed. The wiscracks don't work, there is no story, and technically the worst by a long shot. Rob Cohen did exactly what was expected, he messed it up nicely. ()

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Isherwood 

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English This is easy to predict and even easier to forget crap which at times is not even good enough for that one single use. Cohen is a purely action director, so it all comes down to overblown acrobatic escapades, which are ably followed by special effects, but their sterility knows no bounds. It lacks any ounce of perspective (and no, Liam Cunningham doesn't save it), and thus you're more likely to identify scenes stolen from elsewhere. I don't mind Maria Bello (I like her a lot as an actress), but as a replacement for Rachel Weisz, she was a total casting mistake. The family etudes are tired and the whole is desperately boring. ()

3DD!3 

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English Certainly effective, but more like an overpriced video game. If it weren’t for the solid cast and outstanding ending, it would have been a tragedy. Jet Li is criminally underused and I bet that he managed to film his part in three days max, but luckily he makes a good villain and so he manages to impress despite everything. And when I think back to the trailers, it looked so promising. Oh dear. ()

MrHlad 

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English Jet Li has risen from the dead and decided to take over the world. Fortunately, Rick O'Connell and his family are here to stop him. The Mummy: Tomb of the Dragon Emperor is hampered by poorly shot action sequences, and while there is always something going on screen, you rarely come across a genuinely entertaining moment in the barrage of mediocre visual effects and toe-curling dialogue. This wannabe adventure film that masquerades as ideal family entertainment is actually a prime example of wasted potential. ()

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