Karamazovi
Directed by:
Petr ZelenkaCinematography:
Alexander ŠurkalaComposer:
Jan A.P. KaczmarekCast:
Ivan Trojan, Igor Chmela, Martin Myšička, David Novotný, Radek Holub, Lenka Krobotová, Michaela Badinková, Lucie Žáčková, Marek Matějka, Jan Kolařík (more)Plots(1)
The story of Petr Zelenka’s movie The Karamazovs takes place in contemporary Poland. A group of actors from Prague, led by a play director, arrive in Krakow to present a theatrical adaptation of Dostoyevski’s novel The Brothers Karamazov at an alternative festival organized in the unconventional environment of a steel mill. The theatrical play, the plot of which evolves around a patricide investigation, tells the story of debaucher and cynic Fyodor Karamazov and his four sons. The issues of faith, immortality, and the redemption of man present themselves as the powerful emotions of love, jealousy, and hatred play out on the makeshift stage of the dilapidated mill. Simultaneous with the rehearsal we observe story lines from the real world, of the cast, and of those who still work in this steel mill. Sometimes the effect is comic, but tragedy waits in the wings. A factory maintenance man learns during the rehearsal that his son, who is in the hospital due to an accident at the mill, has died. The rehearsal continues at the man's request. Suddenly the biggest drama does not take place on stage but in the audience… (official distributor synopsis)
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Reviews (7)
I could paraphrase my review on Country Teacher and write something like this: “Now try telling me that European cinema is dead." But I won’t waste time repeating that and so absolutely uncritically (and anything goes, according to Dostoyevsky) I write that, together with Tornatore’s The Unknown Woman, The Brothers Karamazov is the best movie to come out of the continent of Europe this millennium. As a result, this may well seem to many viewers just like a two-hour commercial for Dejvice Theatre (which is an accusation hard to argue with), but unlike the commercial for the Kalich Theatre (that’s right, Kvaska), this is a demonstration to the world of how skillful and talented Prague’s best theatre is right now. And it’s that simple. Believe if or not, or you can try not agreeing. Long live Dejvice! And many more movies from them!
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So I have to admit that I quite enjoyed this theater. Petr Zelenka had excellent actors by his side, which was beautifully reflected in how they handled the entire film. The form itself is the decoration of this film, which is actually nothing more than a theatrical play in unexpected exteriors of a non-functioning factory. Strong, intimate, beautiful theater.
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This theatrical film has earned the so-called obligatory respect. It was made by the popular Zelenka, it paid tribute to the popular Schorm, it was made with the darlings of the Dejvice theater, and somewhere in the lower layers Dostoyevsky is as learned as a poem. It is therefore impossible not to like it. Simply impossible. No chance in hell.
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Zelenka has imprinted a very specific visage on a strong fabric that would tighten "on its own," which straddles the line between pure art and something "other," which is what so many people call for from Czech cinema. I give Zelenka a standing ovation for the way the film managed to get away from theatricality by not letting itself be carried by the (otherwise without exception top-notch) actors, by giving it a distinctive cinematic shape through editing, cinematography, and especially the music. One of the best Czech films in a long time. Bravo!
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The Czech film industry has been struggling for a long time, and its prospects are not rosy. I generally avoid it to prevent disappointment. But to avoid being accused of a lack of patriotism, I tried to choose a title to give a high rating to. The Karamazov Brothers fulfilled that condition, although I must say honestly that the stars are earned more by the classic Dostoevsky and the actors from the Dejvice Theatre than by the director and screenwriter. The adaptation of Dostoevsky, projecting his philosophy into the present day through the family tragedy of a Polish worker, didn't quite succeed, or rather it went beyond the scope of questions raised in his play. As for the actors - and that is the main focus of The Karamazov Brothers - they are a reliable support for the project, and it is regrettable in the case of this generation of actors how limited of a space contemporary Czech cinema offers them. Successful actors from the First Republic or the nationalized film industry were able to encompass hundreds of titles in their filmography, often with remarkable audience and critical responses. The actors from The Karamazov Brothers can only dream of that today... Overall impression: 90%.
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