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Director Matt Reeves and producer J.J. Abrams turn a mysterious monster loose in Manhattan in the disaster flick Cloverfield. The movie begins at a party for Rob (Michael Stahl-David), who has accepted a promotion that will send him to Japan. Hud (T.J. Miller) is entrusted with the responsibility of videotaping the party - and as the trouble grows, he holds on to the camera, recording everything that happens. In fact, the entire movie is seen through the lens of his camera. As terrified people in a post-9/11 New York City take to the streets, Rob decides to head uptown to try to save Beth (Odette Yustman), the woman he loves, though he's afraid to tell her so. Rob is joined by his brother Jason (Mike Vogel), Jason's girlfriend Lily (Jessica Lucas), Lily's friend Marlena (Lizzy Caplan), and Hud, who has a thing for Marlena. Rob is determined not to give up, even after almost being crushed by the Statue of Liberty's head and as the military shows up to force evacuation of the city. (Paramount Pictures)

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Lima 

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English Even though it wants to look The Blair Witch Project in terms of realism, there were many scenes that felt unnatural, for example, the attack by the little aliens, the infection of a loved one or the helicopter. I'm just not able to believe that at such pivotal moments, when my life (or that of my loved ones) is on the line, I would still be willing to view my surroundings through a camera screen, no way. Otherwise, a perfectly done job (the effects, the production design, the monster’s appearance) and a deliciously apocalyptic atmosphere with some shots that take on a sweetly surreal touch (e.g. a white horse pulling a carriage at the epicentre of the monster's rampage). The experience is multiplied many times over if you can watch the film in a darkened cinema on a big screen and with a top-notch sound system. ()

Remedy 

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English An exemplary demonstration of terror and mob psychosis. If there’s any film that the "amateur" POV documentary style suits and looks good on, it's Cloverfield. The *SPOILER ALERT* depiction of the destroyed town and the gradual culling of more and more of the main characters *END OF SPOILER* is truly brilliant. I was exceedingly pleased with how realistic it manages to feel (and at the same time such total bullshit, as a classicist would say). ()

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Kaka 

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English It is a blast, but sometimes the excessive effort to push for authenticity at all costs can be bothersome. After all, there are simply moments when even the toughest journalist, reporter or cameraman wouldn’t be able hold the camera and would run to save their own life. So besides the fact that director, Matt Reeves, basically shouts to the world “look how realistically I filmed this” thanks to these scenes, the film does not suffer from any significant shortcomings. The characters behave quite believably, the chaos and confusion are excellently portrayed, and the sense of unpredictability is brilliant. Only the clichéd subplots of the story (except for the rampage of the monster and the rescue of the loved one – as later revealed) get a bit boring, but among all the explosions, shooting, and falling buildings, there is not much time for it anyway. ()

3DD!3 

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English Great. The creators of Cloverfield exceeded my expectations. A journey around New York has never been so terrifying and intense. But back to the beginning. The introductions to the main characters was done really nicely and doesn’t seem too forced. Definitely the best of the team is Hud. The cameraman who (it seems) had never held a camera in his hands before shows the most important things, adding a suitable commentary to the picture and is really intent on filming this documentary from life. I don’t think I have ever felt such an affinity with a character as I did with Hud. The rest of the cast is fine too, but I won’t go into it too much, to let Hud shine through. ;) And now to the most important thing. The monster seems like it’s crawled out of one of those dark fantasies by H. P. Lovecraft. It really is horrible (Godzilla was pretty in comparison), has no name (in fact we don’t know if it’s a him or a her) and what it does is a dream come true for monster movie fans. He appears suddenly, unexpectedly and at the most apt moments. He demolishes bridges, tramples tanks and still keeps something up his sleeve for the finale. And have I saw that he’s really horrible yet? And that he has big, spikey teeth? And his repulsive followers are almost the same, always turning up at the least appropriate moments (absolute darkness, dark places behind doors etc.). And the hand-held camera is great, draws you into the action and I personally have nothing against it. Quite the opposite. Congratulations, Abrams, congratulations, Reeves. And those readers who haven’t seen Cloverfield yet... GET ON DOWN TO THE MOVIE THEATER! Believe me, this is movie that you just have to see on the big screen. ()

novoten 

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English When original ideas were being distributed, Abrams and his gang were ahead of the game. How else can one explain that a story of a worn-out genre, filmed using a technique proven since the forests of Maryland, can transform into a perfect hit only with the help of a veil of mystery, attracting crowds who gladly devour it? An amazing experience that, with its suggestiveness, didn't let me properly sleep on the day of the screening. ()

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