World War Z

I will admit that all I knew about this movie was that Brad Pitt put a lot of time and money in it. So I thought it might be a decent Hollywood movie. And it was. The creators somehow combined a lot of well-filmed action and added a few philosophical questions on life and family. The finale was a nice surprise. It almost seems like the screenwriter was pondering how to end this movie and wanted to have a different take at it. Why wouldn’t he, when the movie’s biggest issue is that everything is again about zombies? There is an infection spreading, so why complicate things, let’s turn people into zombies again. Why not, when it is so fashionable nowadays, even more when they run around like Usain Bolt? That’s what they’re best at, except for eating people. Well, what can I say? That’s the way it is today. (10/15/2013)

Brrrr... in this film, the ghosts of dead ambitions are haunting. The script (re-written three times) bears witness to a shift from a not entirely perceived personnel perspective (a whiff of institutional crisis and slight hints of the sociology of disaster brought to a solid level by Forster's more civilian direction), to a bombastic spectacle (action adventure structure including some sequences that are obviously "scripted" - Jerusalem), and then back to the intimate plane (a completely redesigned ending that left behind the monstrous action storyline in Russia and edited in a bit of intimate Resident Evil in a lab). In addition to the surprisingly certain directing and atmosphere, the whole thing is saved by Pitt, who, even when infected with a can in his hand, looks as if he really cares a lot about the film (perhaps it’s the x million invested in it?). At its core, I like this indecisive wash between Contagion, The Walking Dead and a forgettable "disaster" film. If only because some people had foretold that it would have the fate of the disintegrated catastrophe a la The Invasion, but the film is more like Rise of the Planet of the Apes. The individual levels are actually quite entertaining, and when one abstracts from awkward transitions, the screenwriting issues and the fact that the only thing in common with the original are the undead, it was solid fun overall. [70%] P.S. I would love to bite the idiot who came up with a film with a frenetic cadence of alternating wholes, second-long details and out of focus shots converted into 3D. If you can, just avoid this desperate attempt to save an overburdened budget. (06/19/2013)

Urgent, intense, with a slight intellectual touch. The finale is predictable around halfway through, but it does not diminish its dramatic and impressive quality in any way. It is technically brilliant and very fast-paced. This is the style that I have liked about Forster since Quantum of Solace, one that many condemn. I feel like it is slightly out of sync with today's time and many people can't digest it, but I perceive it as a very progressive aspect of his directing. Minimalistic in terms of acting and visuals, with minimal (depressive and gloomy) music, exceptionally raw and “realistic”, World War Z has an excellent feeling to it. The zombies are unbelievably believable and also one of the few that are taken seriously. (07/05/2013)

In spite of all the media failures (being over-budget, reshoots), Forster presents a rather unconventional zombie spectacle that works more along the lines of a flamboyant action movie in which a middle-class family and the world around them are drowning. The brilliantly paced direction (supported by good editing) pushes forward a plot vacuum that boils down to the fact that it takes the title and two or three prominent geopolitical allusions from a brilliant book, whilst then treading its own path to get to its roots, i.e., the horror in the lab. However, having a tighter dramatic arc, not limited to alternating the three locations where the protagonist arrives and the undead horde a minute after him, would not have hurt the film. [I want the Battle of Moscow, at least as a bonus on Blu-ray] 3 ½. (09/29/2013)

According to Max Brooks, World War Z became more serious after the experiences of the past years. It used to be just a different, smarter zombie movie with Brad Pitt produced by his company Plan B. The main asset was Pitt's classic hero, the ultimate likable guy, who looks good no matter what, and of course, it's him and no one else who can save humanity... with his cuteness. Today, the sight of a global pandemic is somewhat more chilling. (02/18/2022)