The Hurt Locker

I can't say that this award-winning Oscar drama knocked me off my feet, and it won't make it into my top war movies either, as it lacks a cohesive plotline, and the characters, except for the main protagonist, are merely sketched out. It's a depiction of several fragmented scenes from the operations of a unit focused on neutralizing explosives. The authenticity in capturing the overall atmosphere in Baghdad and war-torn Iraq can definitely be appreciated. In comparison to Kathryn Bigelow's film, Hollywood's so-called war movies, like for example Three Kings, seem rather awkward. However, the authenticity of individual scenes and the protagonist's experiences are not all that magnificent. In reality, playing it safe and adhering to caution is much more common, and a soloist indulging in adrenaline would not be understood by their unit colleagues, and especially not by their superiors. I estimate that they would've earned themselves an end to their mission at least three times due to their escapades. American units are specialized and usually call in the appropriate special forces to handle extraordinary situations, so pyrotechnics specialists interfering with the work of snipers or clearing adjacent sectors of terrorists is pure fiction. Another aspect to appreciate in this drama is the absence of the usual patriotic pathos, clichés, and above all, political correctness. Kathryn Bigelow also avoids unnecessary naturalistic repulsiveness, as war in her interpretation is stress, fatigue, constant tension, dirt, and waiting for the end of the mission. Overall impression: 80%. (04/01/2010)

I love Kathryn Bigelow's films, but The Hurt Locker disappointed me. The main character bothered me terribly (I just don't like these pompous supermen very much), but otherwise I had almost no reservations. The cinematography, the direction, the constant tension in the air, the final idea... Basically, the unknown actors (to me) act well, but it still wouldn't have hurt to have familiar names (!!!Ralph Fiennes!!!) warm up on screen for more than five minutes. Best scenes: A “long-distance" shootout in the desert, a bomb in a child, a shower, the end. Three and a bit. (04/14/2010)

Finally, a proper movie about a bomb squad. Excellently filmed. The opening scene with the robot is flawless. Kathryn Bigelow creates an incredibly exciting atmosphere, and every “disposal" has an ace up its sleeve. I liked Renner in S.W.A.T., and it's a good thing he's sticking to these badass roles. Ralph Fiennes and a small cameo by Evangeline Lilly is also delightful. If there were fewer scenes, I wouldn't hesitate to give it five stars. (04/21/2009)

I have a problem with this film. It derives all of its atmosphere and suspense from the banal fact that a bomb might (or might not) go off at any time. Its characters are uninteresting, the dialogue is horrible and the dramaturgical framework almost non-existent (it’s just a series of situations that the characters facing death have to survive). On the other hand, these very flaws make it all the more realistic and valuable as a testimony from the given places. Maybe all this movie needed was to decide whether it wanted to be an exciting thriller or an interesting docudrama. (12/20/2009)

The individual sequences are adrenaline packed and Kathryn Bigelow does a good enough job with the “will it explode or not” dilemma to push the viewer into their seat through the simple movements around the mise-en-scène. Unfortunately, the episodic scenes of the life of an elite unit are pasted together in an attempt at a story where the emotions don’t work due to the weak profiling of the characters, while the attempt at a moral insight is not very successful either. It is realistic, probably (fortunately, I can’t judge), but the constantly shaky camera doesn’t work as ingeniously as in other films and actually disrupts the leisurely built atmosphere of an environment where every movement is dangerous. Jeremy Renner’s performance keeps things afloat, providing the viewer some depth they can hold on to. 65% (05/04/2020)