The A-Team

From the first to the last minute, it's ruggedly honest, exhilaratingly blockbuster-like, and unfortunately also scriptwise bite-sized. However, as a whole, A-Team surprisingly holds together despite the patched-together individual missions, problems, and locations. Some things are so exaggerated that even the least perceptive smile feels ashamed (tank), while other times it goes full throttle, taking your breath away (imaginative chemistry in the photobooth, rappelling from a skyscraper, or every scene with Bradley Cooper, who effortlessly steals the whole film and doesn't even break a sweat). I didn't believe in this return to the past at all, but now I can be even more satisfied. (07/30/2010)

To my great surprise, this is a good and hugely entertaining action ride. The trailers where underwhelming, but these four cool guys ended up winning me over. The action scenes are so over the top that it’s impossible not to smile. The climax on the other hand, maybe is a bit too over the top, there were moments when I didn’t know what was going on and why, so the impression went a bit down, but I still think it’s an 80% film. (07/18/2010)

It's very action-packed, occasionally funny, but mostly sterile and not very entertaining. Liam Neeson tries his best and some moves remind us of his famous Taken, but unfortunately, this is somewhat different. If A-Team is supposed to be a parody of big-budget action movies, then okay, it's survivable. Some action scenes are picture-perfect, but the film lacks better and more grandiose directing for a blockbuster. And maybe better actors too. Besides the famous Brit and Jessica Biel, nobody really impressed me. (10/17/2010)

(extended) I was terribly surprised at how The A-Team worked. The characters entertain you, the jokes are funny, the action is action-packed and appropriately spectacular. Too bad Carnahan has a bit of a problem with the action scenes. The spectacular special effects ones are fine because they work according to pre-set templates anyway, but the contact action and some of the shootouts are an unbelievable mess. The final scene in the dumpster is especially awful, with the fight scene shot under the kind of light that Marlon Brando's monologues are shot under at the end of Apocalypse Now. But the bad guys are great. So there are four of them in total, and it gets a bit messy at times, as they aren’t classically intertwined, but you can see how the director misses Ray Liotta (with whom he's done every film so far) in the movie. Not only are the three of them typologically the same, have the same means of expression and act the same way, but even the character is similar to many of his movie characters. I enjoyed their non-violent portrayal as overgrown brats addicted to video games who masturbate with a gun in the other hand, and lucky enough to have been given millions of dollars worth of military toys in their lives. The most fun is when the three of them end up in the car together, because the suppressor-screwing scene (I'm guessing it's just in the extended version) is perfect. I'll even forgive the cell shading explosions and the few tense relationship scenes. The A-Team is a blockbuster as it should be, because everything that should work in this type of movie works there. (12/29/2011)

The A-Team is fun. The A-Team is funny. The A-Team is certainly not smart, but it knows that very well, and it doesn’t pretend to be something it’s not. When I saw it in the movie theater, I was bothered by the slightly complicated plot and the hasty editing, which made several scenes a mess. But after watching the (extended) DVD version, all the criticisms are gone and I give this more than two-hour, but incredibly fast-paced blockbuster a fifth star. Great! The action scenes are beautifully over-the-top and a joy to watch, whether it's the famous falling tank from the trailer, the opening helicopter chase, the team's liberation from prison, the action in Frankfurt, the finale on the docks, and so on... The actors are precisely chosen and everyone enjoys their part (Neeson's line "So, Satan walks into this bar..." could become iconic). Silvestri's soundtrack (his most original thing since Van Helsing) deserves a mention.__ P.S. A 3D film in a German hospital... That scene is unprecedented. (06/18/2010)