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From the creator of Love Actually and Notting Hill comes a trip back to the freewheeling, free-loving '60s when the very rock music that inspired a generation was censored by the government. When a group of rebellious deejays decides to defy the ban, they take to the seas to broadcast music and mayhem to millions of adoring fans. (Universal Pictures US)

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Marigold 

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English Funny and nice bubblegum about the golden sixties, which inadvertently depicts the revolutionary era so correctly and ironically that it brings itself down. Over time, Curtis falls into a stereotype and the repainted visual serves the symbols of the 1960s completely devoid of any provocativeness and sex appeal. Nevertheless, excellent actors and a great soundtrack keep this ship afloat, although the bloated finale is noticeably embarrassing [70%] ()

Remedy 

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English I'd easily give eight stars if I could, because you rarely see such a splendid array of excellent actors and tasteful humor any time or place. The cast is undoubtedly probably the strongest argument for seeing Richard Curtis' second film at all – personally, I have to say that I was charmed by the undying passion for the cause, the "struggle between good and evil", and especially by Curtis' craftsmanship, which makes the viewer fall in love with the whole group in a very short time. The ending is an emotional mess, which certainly cannot be blamed on its creator. On the contrary, it feels extremely human and natural in such "un-American packaging". One of the most powerful films, with characters that really grow on you. ()

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DaViD´82 

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English The Movie That Rocked... Love, Actually put you in a good mood through love, Christmas and relationships. The Boat That Rocked did the same (equal quality, even funnier, but less touching for obvious reasons) through sex, drugs and rock’n’roll. It also applies that Curtis could objectively be faulted for a lot of other things. It’s just that, the same as with Love, Actually any objections are swept away in that “feel good" tsunami. And yes, the vast majority of characters are just like Billy Mack, but damn, that doesn’t matter one bit, does it? In addition to this, extensive and wonderful use is made of Morricone, along with the rest of the absolutely marvelously chosen rock hits of that era. P.S.: Toward the end we see significant curtailment (primarily of Branagh’s storyline), but I hope that the DVD will include extras with cut scenes like we got with Curtis’ previous offering - this movie deserves it. ()

J*A*S*M 

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English After the for me quite annoying Love Actually, Richard Curtis moves considerably closer to my taste, but he’s still not all the way there. The Boat That Rocked is an easygoing film, you can switch yourself off, swim among the sounds of nice songs for 129 minutes and never think of it again, because the story has nothing to remember. In short, a nice snack with a perfect cast. 7/10 ()

gudaulin 

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English This is a film that is much more about depicting the relaxed atmosphere of the 60s with the arrival of rock and roll, sexual revolution, and liberal society than telling a story. However, it suffers from the fact that despite the presence of numerous top-notch and popular comedic actors from Britain and overseas, the script fails to bring out fully developed characters from the actors and sell all members of the crew to the audience. Many of them are simply criminally underutilized. Pirate Radio is more of a mishmash of entertaining scenes, among which unfortunately there is also a fair amount of filler in the style of sex-crazed groupies, wild parties, and so on. At the same time, I think that even the main character could have been cast with a more charismatic actor and the script could have given him more space. Perhaps the best part of the movie is the moments with the minister, who is portrayed as a caricature of traditional British conservatism and puritanism. Overall impression: 65%. ()

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