The Avengers

In the weight class of superheroes who, instead of psychotherapy sessions where they spend two hours figuring out their superhero identity, manage everything by letting their powers speak, preferably in a pretty fierce, loud, and explosive way, the Avengers actually have no competition far and wide. For the first hour, they tease each other with humor, and they use it together against the alien invasion. Kudos to Whedon for dividing up the roles precisely and giving everyone exactly the space they need. Most importantly, it's all done inventively (camera tricks) and it’s imaginatively (funny inserts even into the serious scenes) shot. [My only criticism goes to Loki. Hiddleston isn't so bland anymore because now he’s a charismatic bastard whose character portrayal by the writers falls a little short. Edit: After the second screening, this criticism no longer applies either.] (05/04/2012)

The Avengers are getting better. The disappointment of the movie theatre is slowly but surely fading thanks to the DVD, and the only problems I really have are with the character of Hawkeye (or rather, his wooden performance) and the fact that the film wants to be endlessly breathtaking at times while making fun of itself, which is a strange game I haven't yet bought into. (05/14/2012)

Next to Batman and Watchmen, probably the best comic book adaptation. A film full of fun, thrilling action, wit, polished dialogues, self-reflection, and a fantastic cast; everything a first-class blockbuster should have, and with an incredibly precise tuning of the individual ingredients. The last time something similarly perfect within its genre was seen in cinemas was 1996 when Ronald Emmerich directed Independence Day. (05/15/2012)

Undemanding, popcorn paint by numbers with clear contours which begin to turn pastel green only after they line up. The Avengers Assemble is quality craftsmanship which unfortunately pays dearly for having just routine action (the first “teaser" part is markedly better than the second) and zero “emotional involvement" of either the viewer or the characters. The whole thing rests on the shoulders of the Stark - Thor - Banner trio and the remaining characters are either a necessary evil (Capt. America) or there to make up numbers. And also a proper baddy is sorely lacking; Loki is outstanding, but he’s more an amusing stooge than an arch-villain. As far as Marvel team productions are concerned, the movie versions of X-Men play in a much higher league. (05/02/2012)

The idea that the film avoids the need to expose itself as a savage, because it will count on viewers familiar with previous films, is completely odd - firstly, a brief exposition of Hawkeye and Natasha is needed, secondly, guys need to compare their steel / divine cocks and find out who has the bigger one... we'll spend about half of the film doing that, and when everyone slaps each other and Captain America teaches us that there's only one God, there's finally a team event. As to how many minutes have passed, it cannot be said that we have complete information about who, what, why and for how much, but once Whedon starts to bend steel in tons and have one shot more spectacular than the last, it actually doesn’t matter. In addition, the characters start spewing one-liners (which unfortunately is a bit worse with the Czech dubbing), the Captain is a little annoying (a little so he can still appear as the good guy) and The Avengers offers exactly why people go and see "Marvel" films. A ballbusting hero party, legible, clear, polished and heavy on tone. You may miss the fact that the whole story is actually a tragically mechanical acceptance of "classical invasive awkwardness" without a fundamental contribution to the mythology of the heroes. The other half is simply pure pleasure from the enormously pompous spectacle. But I still can't shake the impression that nothing happened for half of the film and that we don't know anything more about the characters than before. I am inclined to think that Whedon did the work through careful maneuvering. The entertainment is decent, but as a separate fictional world, it doesn't make much sense - what the first Iron Man and partly Thor were able to do simply shrunk to an exhibition match of stars full of skills competitions. Edit: when I remember the meaty second half and how I also gave Battleship 3 ***, I capitulate and improve my rating :-) [75%] (04/25/2012)