Iron Man 2

Where is the taciturnity and momentum of the first film? Where is Stark's strong personal charm? The second film amounts to watery, scattered, and terribly lifeless blabbering of the star-studded characters, whose dialogues and jokes often feel like they were written by a five-year-old (I admit that the problem may be the dubbing, but unfortunately, that is hardly going to change my impression until I see the version with subtitles). I forgave Favreau’s routinism in the first film because Downey's character had an edge. In the second film, most of the beautiful things are gone, and all that remains is chatter, outdated humor, and surprisingly Downey, who seems to be so convinced about his own irresistibility that he completely ignores the emptiness of his dialogues. There is something wrong with a comic book film that does not get me out of my seat in two hours with even one ballbusting moment. I cannot give the dubbed version more than one star... (04/27/2010)

With Iron Man 2, director Jon Favreau excellently exploits the potential of the stellar cast, where even supporting roles look tailor-made for their actors – the one-eyed Samuel L. Jackson in a leather coat, a corrupt white-collar Sam Rockwell, Scarlett Johansson getting in Blade-like fights. All of them, of course headed by Robert Downey Jr., seem to be enjoying themselves immensely (perhaps only the psychopathic Russian inventor played by Mickey Rourke could have used some more character development). But the story itself has absolutely nothing to engage the audience – there is practically no drama or tension and there are barely two action scenes, which take up about ten minutes of the two-hour running time (!). Actually, it is kind of a miracle how a comic-book adaptation with such a boring script can end up as a pleasant conversation movie. (04/27/2010)

This is a film where you can see the high budget in every shot, with a polished visual, and lots of digital effects, so it's nice to watch as things explode, fly around, and shocking technological inventions and cute robots appear. Many stars parade on the screen, mostly unused and only used as decorations, and when they do appear, they don't have much to do because the story itself is a broken mess. It's the type of film for the whole family, which my 8-year-old son could consume without any problems because the world and events it shows are either directly childish or desperately immature. When you want to cater to the market to maximize profits and attract as many viewers as possible, you inevitably have to lower the content demands. Because I've been eight years old a few times already, I lost interest in the plot quickly, and the fate of the heroes was as meaningless to me as a grain of sand in the Sahara. Overall impression: 40%. (10/22/2010)

I wouldn't expect a warning about the power of (media) imagery from a film whose main protagonist spends half the time drinking and goofing around. Stark is just as amoral a character as the other arms magnate, Hammer, but he knows how to impress people and make fun of himself, a trait that characterises the whole film and distinguishes the Iron Man franchise from the dark comic-book adaptations along the lines of The Dark Knight, which don't make light of the superhero mythos. Favreau doesn’t follow the trend of psychologically more intense comic-book movies. Iron Man 2 is darker solely in what happens to Stark’s body, not in what he goes through. This focus on the surface can be seen as the reason for the popularity of Stark and those like him, who know how to perform in front of television cameras (through which we also see the protagonist several times). That focus on the surface is also the reason that Scarlett Johansson, whose curves are manna for the eyes, has a generally superfluous role in the film. Mickey Rourke, who doesn’t talk much but speaks to the point, is also delightful, as is Gwyneth Paltrow, whose verbal shootouts with Downey are reminiscent of classic screwball comedies with their double entendres and timing, and the roughly two action scenes added in just for fun (since they gave us money for them...) are a joy to watch. Throw out abundant one-liners, look good doing it and quickly fade from memory. Mission accomplished. 75% (05/06/2013)

Two days after watching it, the only memories left in my head were strawberries, great actors, and a lot of missed chances (for everyone - Scarlett's absolutely tragic fight in the corridor, like the rest of the action). Even the first film wasn't particularly perennial, but this is a pretty sad downgrade. (09/11/2010)