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Sam Flynn (Garrett Hedlund), a rebellious 27-year-old, is haunted by the mysterious disappearance of his father Kevin Flynn (Jeff Bridges), a man once known as the world's leading video-game developer. When Sam investigates a strange signal sent from the abandoned Flynn's Arcade - that could have only come from his father - he finds himself pulled into a world where Kevin has been trapped for 20 years. With the help of the fearless warrior Quorra (Olivia Wilde), father and son embark on a life-or-death journey across a visually-stunning digital universe - created by Kevin himself - which has become far more advanced with never-before-imagined vehicles, weapons, and landscapes and a ruthless villain who will stop at nothing to prevent their escape. (official distributor synopsis)

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Reviews (11)

POMO 

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English Can you imagine what this technological and design gem would be like if it met the usual requirements we have for movies? It would be as great as a film with a well-developed, deep story equaling TRON in imagination, design inventiveness and a futuristic vision. Notice the details (the dashboards of the flying ships, motorcycle designs, the glowing lining of the costumes and the way the characters dissolve into pixels after being hit with a disc), seamless integration of these details into rides, flying and balletic fights, and the synchronization of this elegant visual dance with the majestic electronic music. Just ignore the dumb catchphrases along the lines of “You gotta be kidding me” and enjoy the answer “Fasten your seatbelt!” to the question “What is your name?” Whether you think TRON: Legacy is stupid or not, it is a filmmaking event, the only movie of its kind. ()

Marigold 

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English The bearded Jeff can be nice. Computer Jeff is Guignol (almost like the Nordic model from the luxury perfume commercial in the lead role). To his detriment, Tron has a lot more Guignol in it than bearded men. As a visual story full of reflections and light contrasts, it is watchable, but unfortunately, in terms of the technical design there is only a pile of boring copies of real masters of imagination. Tron doesn't have one of his own, just the one on loan. And also not very luxuriant. But in this year's competition "pass", not "fail". P.S. Compared to the original film a fail in all categories, except the technical ones, of course. ()

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Lima 

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English At times the words about the triumph of film design come to mind, but the boredom reliably overwhelms everything. I, as a viewer, have long since sobered up from the 3D fascination and the new Tron has nothing new to offer. Neither story-wise nor narratively; adjectives like "riveting" or at least "interesting" have no place in Kosinski's world. I enjoyed the old Tron infinitely more, even with its simple 8-bit graphics. ()

kaylin 

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English I still haven't seen the original film "TRON", but I quite enjoyed this. It's not anything demanding, it's a flashy sci-fi where it plays on the fact that you know the characters, but it must be admitted to the creators that you can watch it even without knowing the first film. The rejuvenation of Bridges here is strange, the plot is not completely perfectly original, but there is still a sense of nostalgia, which I like. Plus, Olivia Wilde is beautiful here. ()

novoten 

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English "Old World in a new perspective, a carefree charmer in the lead role and Jeff Bridges in one of his career-defining roles. And on top of that, a perfect soundtrack by Daft Punk and Kosinski's otherworldly visuals from beginning to end. From an outdated classic that only a handful of enthusiasts appreciated, after thirty years it becomes a saga that could have boldly headed towards further sequels, despite fate and Disney ultimately wanting it differently. And I don't mind at all that the script quotes from numerous classic films, because the result, in the best sense of the word, was chewed up, spat out and left me astonished. One would immediately want to start searching for some suspicious-looking computer." ()

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