X-Men: First Class

I didn’t go see the new X-Men, but the new Vaughn. Which was maybe a mistake because the studio slightly blunted his energetic, no-holds-barred work. But even this way it’s outstanding, but more accentuated sixties stylization (the places where this is comes to the fore are among the best) and being less episodic would have helped, as well as cutting down the length of the final, over-the-top showdown. Vaughn directs best with just a couple of actors and tension build-up spaghetti western style. It’s true that the characters are rather two-dimensional, but the actors easily raise the standard, especially the Fassbender - Bacon - McAvoy trio. (06/03/2011)

Phenomenal! Vaughn brings the series back to where it originally started. As a comic book movie that uses its brain where others flex their muscles, it doesn't for a moment compromise on the audience-appealing spectacle, which doesn't lack wit, exaggeration, and... action. It is mature in its acting, plot, and direction, with no dead spots or lapses in pace. I’ll have more to say (hopefully) after the second viewing. Now I am just reveling in the memories of a film that was satisfying in every way. PS: There is nothing for me to add the second time either. Except that Fassbender rules like nobody’s business. Perfect in every detail. (06/02/2011)

I self-critically admit that I expected more from Vaughn than he could realistically do. When the magnetic Fassbender and the musing McAvoy are on the screen, it's as dark, immersive, and adult funny as I'd hoped. First Class has a very serious soul - it revolves around collective guilt, revenge, and the right to rule the world. The best scenes are not the action scenes, but the ones which are most conversational, where it stands out how far the creators can descend and how suggestive this comic book saga can be. The more realistic and mature the X-men look, the more they have trouble dealing with the "teenage" element. Fortunately, Vaughn kept some distance and perspective, yet I was not interested in the first class with the exception of the mentors, and it seemed that it was makeweight. This wasn't the case in Singer's day. It's like all the energy and attraction falls on the central duo. However, this is rewarded with absolutely devastating energy, and although the film sometimes breathes heavily, in the end it offers emotions and depth related to the legendary duo. It's just the comparison with singer's coherence and composure that prevents me from being completely enthusiastic. Anyway, I'd be very surprised if a more stylish and soulful spectacle came to movie theatres this year. (05/30/2011)

A fun blockbuster, but Singer’s X-Men are still better. Those two hours went very fast and I certainly wasn’t bored, but after the excellent reviews and trailers, I can’t help but feel mildly disappointed. It’s just too shallow and straightforward, played only for effect (so many dramatic looks!) and without any depth. There are some very silly moments (for instance, when Eric moves the big satellite), though fortunately, they are outnumbered by the cool ones. But even in the strongest moments I had the feeling that it could be more polished (Eric agitated in the concentration camp, Shaw’s attack on the CIA, the flying submarine), and the number of scenes of the type “the characters stand stiff waiting for something to happen, and when something does happen, they start moving on command” was above the tolerable limit. I didn’t leave the cinema with negative feelings, though – the last half hour is quite bombastic – but I still feel that it could have been better. PS: The most surprising thing today was the rosy hell of the trailer for The Magical Duvet. Someone must have thought it has the same target audience. :-) (06/02/2011)

I have so much to tell you :-) But after leaving the cinema, my head is spinning and I'm unlikely to get anything coherent out of myself. Anyway, I'm impressed with the grandeur, thoughtfulness, and color. The moment Charles shed a tear when he entered Eric's head, I shed two. I was almost rolling on the floor during the few minutes when the "youngsters" learned to control their abilities. So, Vaughn has clearly scored again for me and I look forward to all his future endeavors. Yes, X-Men just knocked Inception out of my top 10. (06/28/2011)