Green Lantern

At first glance, everything is as it should be. Ryan is a likable guy, Blake is every straight man's wet dream who isn't blind, the special effects team has been paid generously for their overtime, and proven hitmaker Martin Campbell manages it all. Yet only half of it works. No, more like a third because that's about how much the "civilian" world takes off the whole. The section in which the lanterns glow green tries to cloak the boundless naivety in a cheap pomposity that probably comes from the comic books, but it struck me as a cheap carnival ride that (hand on heart) looks pretty stupid. It's not boring and it keeps on flashing, and someone is always jabbering (quite often humorously), but it lacks that drop of soulfulness. This was the worst comic book film six months before Thor. (10/12/2011)

I definitely like DC better and would rather see a Justice League than an Avengers movie. So far, however, this equation is still very much askew. So far, we have the DC cartoons and this bold Green Lantern. It doesn't matter too much that it didn't particularly succeed, as the competition's desire for Marvel-esque success is stronger than one incremental step toward it. Personally, I'm not that interested in Green Lantern as a standalone character, but he's fine as part of the Justice League. So if he manages to confuse audiences lost in comic book adaptations enough that they will one day make a Justice League movie, Hal Jordan has done his part. As such, I treat it as a standalone film. It's been loaded with a lot of stuff, but it's still just a feature-length story derived from Aladdin's magic lamp and the need to fight evil in the age of rising Nazism. Today, Green Lantern has a 72-year history and this is his first feature film. On the basis of the classic Superman scheme, he introduced us to what happens on the brightest day and the blackest night. It’s like, "The bigger you are, the faster you burn." It's a shame about Blake Lively, but maybe in the sequel, she'll come out of the shadow of her Super Gossip Girl role a lot more. (06/03/2012)

This comic book madness is guaranteed to be appreciated by the fans the original comic book. The film doesn’t pull its punches, and during its uncompromising 109 minutes it presents a story that goes against all usual comic book adaptation characteristics. It’s just science fiction about superheroes from outer space fighting for Mother Earth outside of Earth. I have to say that it had its charm, but it was off to a rather slow start. Ryan Reynolds was great, but he could hasten the transformation and not wait for it until the middle of the film. Anyhow, I can’t say that I wasn’t captivated, as this was something else than you’d expect and that also counts for something. (12/24/2012)

Nice effects are everywhere these days. And so we get an accumulation of bland films that are nice to look at but evoke almost no emotion. Apart from a bunch of gimmicks, there was nothing to get me into the plot. Blake Lively is beautiful and Ryan Reynolds is quite likable. Except that I knew that before I saw it. Where are the days when I was rooting for the main character and couldn't tear myself away from the screen? Now I'm just watching him phone it in to see what he looks like doing it. A weak 2.5 stars. (12/08/2011)

The green man has no trouble not taking himself seriously, so what ultimately kills him is rather the directorial and dramaturgical indecision. The whole problem of Green Lantern is contained in one scene: Hal flies in to see his chosen one in disguise to meander like Superman. What follows is a very good parody of similar "superhero" kitsch, which I laughed at with pleasure. But in the next scene, we find exactly the same, this time deadly serious kitsch, that feels like the scene before didn't even exist. And that's the way it is all the time. Campbell winking at the viewer for a while, but then serves us un-diluted dullness and naivety. The whole film has a similar structure to Thor, but while the guy at the "top" felt serious and the guy at the "bottom" light, Green Lantern appears like a stupid and genderless retouch on both levels. Yet its potential is undeniable - but the creators have turned a hero who can materialize anything from his fantasy into Tom Cruise from Top Gun. It’s no wonder that Warner insist on a second film. A missed chance like this hurts, especially at a time when comic book films are doing well. (08/12/2011)