Independence Day

A visually stunning masterpiece with fantastic music and a likeable cast. The script is packed with action and there isn't a single dull moment, there’s always something happening, one twist after another, and some scenes are truly fantastic (Area 51, city destruction, the scenes after the apocalypse, etc.). In addition, Roland Emmerich brilliantly combines visuals with music in a way similar to Michael Bay, for example. The pathos must be taken with a grain of salt, and whether we like it or not, we have to admit that Bill Pullman has charisma. It's not smart sci-fi, it's popcorn entertainment, but damn well directed, well acted, and decently told. Overall, Independence Day is unequivocally Emmerich's best film, or rather, his only truly good film. (09/04/2005)

It was a great science fiction for its time, and perhaps it's not surprising that it's still a great science fiction after almost twenty years. Emmerich managed to create a great visual effects film that perhaps best depicts the fear of being invaded. Yes, it's very American, but that's clear from the title, isn't it? Some moral speeches about world unity might sound a bit forced, but it probably wouldn't work without them. (10/20/2014)

The Hollywood high-budget blockbuster of the 1990s in its full and immaculate glory. I’ve seen it at least thirty times, but the intensity of the experience remains unrelenting and the internal scheme of the narrative as a mediator of a global catastrophe is exemplary. There are dozens of characters, but each of them has an important function in communicating with the viewer, who learns about the alien attack from the point of view of the president, a brilliant scientist, a verbose soldier and the general population, so the presentation of the plot is really incredibly complex and well thought out. It may reek of American pathos and naivety, but Independence Day is simply so well constructed, scored and acted, supported by amazing visual effects and the ultimate adrenaline rush, that I will watch it thirty more times in the future and the general term "Legend" will increasingly come to mind. An incredible romp that will never get old and, above all, will never be surpassed within the genre. (09/24/2011)

Emmerich's hand broke off with a touch of pathos. Bill Pullman is completely off with his heroic president, Will Smith is embarrassing, Jeff Goldblum is as if he wasn't there - just a smaller overrated mishap. The undisclosed variation of War of the Worlds didn't work out and despite the gripping scene of the destruction of the White House, I have an aversion towards this film. (01/26/2006)

Switch off your brain, make a big bucket of popcorn for yourself, turn the volume up (there’s no point in watching it anywhere else but at either a home or a regular theater) and make yourself believe the misleading phrase “it’s a spoof" and, mainly, take it easy. If you manage to persuade yourself that it really is meant as a spoof then it is an excellent B-grade catastrophe movie with a huge budget and well known, but mostly terrible actors (with one exception of Will Smith, brimming with snappy lines) and it’s decently paced. On top of all that it’s too long and overflowing with American pathos to an extent that can be trumped only by Emmerich himself in his subsequent movies. (04/22/2005)