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Do we control our destiny, or do unseen forces manipulate us? Matt Damon stars in the thriller The Adjustment Bureau as a man who glimpses the future Fate has planned for him and realizes he wants something else. To get it, he must pursue the only woman he’s ever loved across, under and through the streets of modern-day New York. On the brink of winning a seat in the U.S. Senate, ambitious politician David Norris (Damon) meets beautiful contemporary ballet dancer Elise Sellas (Emily Blunt) - a woman like none he’s ever known. But just as he realizes he’s falling for her, mysterious men conspire to keep the two apart. David learns he is up against the agents of Fate itself - the men of The Adjustment Bureau - who will do everything in their considerable power to prevent David and Elise from being together. In the face of overwhelming odds, he must either let her go and accept a predetermined path… or risk everything to defy Fate and be with her. (official distributor synopsis)

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lamps 

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English This film may not be great within the genre, but it’s so original that it's above average. A great combination of a romantic plot with a sci-fi theme, excellent casting and Newman's rhythmic soundtrack. The main character stunned me with his behaviour, he was going against his destiny for his desired love, and I wished him luck. The final happy ending felt a bit contrived, but as I said, I was really looking forward to it this time. 75% ()

J*A*S*M 

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English Most people say it’s a pleasant surprise, but I knew at the beginning of the year that The Adjustment Bureau would be a hit, so the resulting 70% impression remains slightly below my expectations. In any case, it’s a pleasant and playful film in every sense. The outlined mythology of the gentlemen with hats is interesting and I would love to look deeper into it, maybe at the expense of the romantic retro line of a man in trouble and a woman unaware. But I’m being unnecessarily critical. The Adjustment Bureau works perfectly as a romantic sci-fi/fantasy snack, there’s no reason to complain. The ending it’s a pity, though, everything is sorted out almost too smoothly. A successful début no doubt. ()

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Kaka 

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English Matt Damon almost forgot what it's like to have the role of an honest nice guy. Fortunately, he definitely hasn't forgotten the art of acting, and it was mainly him, along with the excellent and natural Emily Blunt, who carried this peculiar film forward. Excellent dialogues, screenplay, and dramaturgy, some of the sci-fi elements may be unnecessary and the overall philosophy of the film is slightly over the top. But it is satisfactory within the realm of intelligent and undemanding popcorn entertainment, satisfaction. It is certainly a creation that, although fairly original in terms of premise, will not have a specific audience, but will captivate a wide range of dumb people. In most things, it is very uncontroversial and organized. I see it as a slight flaw, but fans of dumb movies will appreciate it. ()

3DD!3 

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English Has it ever happened to you that you meet Ms (or Mr) Right and circumstances spoiled it all for you? Well it wasn’t the circumstances, but guys in hats controlling your fate. A refreshing plot, even fateful romance (Dick is an endless fountain of ideas), excellently transformed into movie format. Nolfi may not be Spielberg or Scott, but he best captures the playfulness and versatility of P.K. Dick’s imagination. Matt Damon plays another nice guy and Emily Blunt is surprisingly well matched to him. Maybe it doesn’t deserve a clean five, but I have a weakness for this genre. And Thomas Newman rocks again. ()

Marigold 

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English A nice surprise. Damon and Blunt are strong together, and Nolfi's attempt to diversify the romance of the (ex)congressman and dancer with the sci-fi element of "destiny controllers" worked, especially since his retro approach shows exaggeration, not an attempt to extract something extremely effective from Dick's story. Against each other stand a politician in love and a cute bunch of officials in hats, in whose scuffed notebooks a clear probabilistic map of the world is written. If we stop looking for philosophical consistency or logic in this, The Adjustment Bureau will reward us with a surprisingly fresh mix of thriller and romantic drama. Unlike 500 Days of Summer or Eternal Sunshine of the Spotless Mind, the film doesn’t quite have poetics, but debutant Nolfi is very skilled and knows what he wants to shoot. After my initial skepticism and sarcasm (four old men in bucket hats run the world? WTF?) I just had a great time (although with my eyebrows raised every now and then), which I don't usually do with film love stories. Points for Nolfi. P.S. I finally understand where Mr. Tau came from. ()

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