Transformers: Dark of the Moon

Less Bay, more Emmerich, or else, out of the frying pan and into the fire. But still easily the best part of the trilogy. And, despite the first half, where there’s a lot of “face-making doubling as humor". But in the second, purely action half, Bay pulled himself together in terms of editing and shaky camera, left out all the “jokey" moments (not even the parents or Turturro get a look after the switch to Chicago) and rolls out one epic scene after another, or rather one hour-long scene. Which is paradoxically a big problem, because so much happens at once and non-stop, without any calmer interjections for a rest, that after a few (ten, twenty...) minutes, you can’t help getting fed up and stupefied. And that’s a shame, because more than one part deserves to be relished; particularly the escapades during the escape from the collapsing skyscraper. Again a confirmation of the hackneyed expression that less is often more. (06/29/2011)

Wow, Michael Bay uses long takes (well, by his standards, don't expect any De Palma rides) and it's one of the best ideas he could have gotten. Similarly, the cameraman has apparently stopped or started drinking and his hand no longer shakes as if he has Parkinson's. This makes the action scenes in Transformers 3 really spectacular and clear. Seriously - compared to the previous two films, this time I even knew which robot was hitting which every time. So that would be the biggest plus. Another positive is the first twenty-five minutes or so of the film dealing with the moon and Chernobyl. Negative aspects? Everything else. Especially the script. It's not so much that it's stupid, I expected that, it's just that it's terribly boring. I mean, almost nothing happens in the first hour and a half (except for the aforementioned beginning), for God's sake! What about John Malkovich and Frances McDormand's characters? Completely unnecessary. Neither of them needed to be in Transformers, not to mention the main character's new girlfriend is as attractive as she is unlikable. At least the action ending was good and there was something to watch in the movie theatre. (07/18/2011)

Finishing epic trilogies is traditionally an ungrateful job. Michael Bay managed to bring Optimus, Bumblebee, and the other Autobots to the end of their journey in the weakest installment, but that is not a disgrace after the mesmerizing first film and the fairy tale-mythological sequel. The third Transformers are occasionally funny, occasionally less so, occasionally frightening, but above all, they are so grandiose from about one-third of the runtime that it almost tears apart all the senses. What unfolds in Chicago is an audiovisual experience that leaves the viewer stunned all the way home. But what elevated the entire trilogy for me is mainly the fact that this story was never about the largest number of scrapped metal. Yes, it will always be a battle between Autobots and Decepticons, but many people forget that amidst all the adventure, a young boy grew up. The one who first rode in a yellow Camaro three films ago and ultimately saved the world because of it. Three times. (07/12/2011)

I went to the cinema thinking I was going to see a five-star film. After the first hour, I knew it was barely going to be 4 stars, and after another half hour I figured I wouldn't give it more than 3 stars. But then came the relentlessly long and repetitive ending and I can't even give it those 3. I liked Huntington-Whiteley until the fights started... then it just got ridiculous. Some of the effects weren't bad, of course, but the 3D was again completely unnecessary. A clean 2 stars. (07/06/2011)

Dark of the Moon is another of the fantastic highway action flicks that are becoming the director’s most reliable trademark. The spectacularly flying marines, following the example of The Dark Knight’s flight in Hong Kong, and the final action inferno in Chicago are pure action pleasure. For a Bay movie, it is also unusually easy to follow. But the rest of the running time, i.e. at least half of the film, is humorless, boring and at times annoying like never before. John Malkovich’s character is horrible, and watching Frances McDormand and John Turturro making idiots of themselves goes beyond the limit of the audience’s endurance. And in which television mini-series did they find Patrick Dempsey and Rosie Huntington- Whiteley? Megan Fox, we miss you. I will probably burn in hell for giving the third Transformers the same number of stars as Trier’s Melancholia, but what can I do? Michael Bay is a talented commercial creator, sold out to the US military, US government and unscrupulous corporations, while embodying the glittering shine and the technical insurmountability of Hollywood possibilities. Take his camera away and we won’t have anyone to hate and admire at the same time. (06/30/2011)