Red

Schwentke would have to be more than just a learned craftsman to make RED more than just a solid film. It's pretty dynamic, but the style is taken from somewhere else, so it's definitely not consistent. The story is comic-book exaggerated, and in the film narrative it is terribly banal. But the old boys are great and are good at their jobs. In the end I had a great time, and I left with the belief that if an inventive helmsman got his hands on it, this cruise could give a lot. The way it is, it "just" entertains. (11/01/2010)

For Willis's exit from the spinning car, for Malkovich's mad Malkovich and his pig, for Helen Mirren standing in her evening gowns behind a machine gun, for Freeman in the nursing home and general's uniform, for Mary-Louise Parker's eyes, for Bruce's bloody brawl with Karl Urban, for Ernest Borgnine, for great action scenes like the one at the airport - which are both thrilling and entertaining - for the witty one-liners and the cool script, for Richard Dreyfuss's character, for Beck's music, and for the way the end credits roll... I give it all four and a half stars. Red is really great fun with many memorable moments, which should not be missed by any fan of action lightened with humor. I don't give it five stars only because of the occasional "too much comic-book-ness", which was especially evident in the actions of the commandos and special forces - they simply behaved like assholes (the beginning in Moses' house, the shootouts in the garages). (02/20/2011)

I admit that I approached Red as an action comedy with a certain disdain because I usually don't appreciate action nonsense, and when I hear the term "action actor," I instantly get a rash. And behold - this film won me over. It's good enough to cast actors who have facial expressions and acting talent, instead of desperados who spend their whole lives in the gym. It's good enough to act with a suitable dose of irony, humor, and nobility, and most importantly, to stay somewhat grounded when massacring hordes of enemies. Red is somewhat more intimate compared to its genre siblings, giving more space to dialogue, quotes, and the main stars - Bruce Willis from the older generation and Karl Urban from the younger one, who, alongside their exceptional physical condition, are very decent character actors. Bruce Willis also excels at self-irony, which he has been honing since the days of Moonlighting. Any fan who has seen a few of his films will recall specific scenes and shots from his filmography when seeing his face, his raised eyebrows, and his dry lines. Great character actors also work well in supporting roles, which you wouldn't expect in an action movie, led by Helen Mirren, who fearlessly fires a heavy machine gun. Add to that Mary-Louise Parker, for whom I have a weakness, who carries the romantic storyline of the film, and above all, the insane John Malkovich, whose paranoia and pink piglet he drags around everywhere led me to want to give Red five stars. It is a very enjoyable and memorable film. Overall impression: 75%. (04/29/2011)

The only thing atypical about Red is that, the main roles of former special agents in this action comedy with a terribly hole-ridden script and music that, with its attempt to create a relaxed feeling, remotely resembles the lightness and elegance of Ocean’s Eleven, are played by usually non-action actors, perhaps with the exception of Willis. Some may find this cool, while others may shake their heads. But the originality of the idea with retired agents cannot be denied. Unfortunately, it does not reach the top in terms of quality, not because it is not sufficiently self-conscious or slow-paced, but because it is sterile and half of the film basically consists of generic location changes culminated by one action set-piece or another. (07/23/2015)

Finally, Bruce is acting! in a good film. Red is primarily a family movie with something for everybody - granny, grandpa, mum, dad and for big and little kids alike. The plot is as old as the genre itself, and that goes for most of the cast, but it’s enough for a series of pleasant escapades for one dusty team of agents. The best portion of gags were delivered by John Malkovich who is an expert at paranoid smegheads… and this model is one of his best, by the way. Cute Karl Urban is used mainly in the action/battle passages and Schwentke’s now certainly already patented 720°shot comes off really well. Certainly a very pleasant surprise. (01/08/2011)