50/50

I didn’t know very well what I was getting into, I took a cursory look at the film's profile and, judging by the poster, I expected it to be another comedy with a chatty Rogen, though exceptionally well-received. I was wrong, very wrong. 50/50 is a real-life story that portrays a more or less realistic main character who has to deal with a serious illness and a challenging treatment that will change his life fundamentally. At times the narrative is quite depressing and poignant, but fortunately also pleasantly funny, unpretentious, and very personal and smart thanks to Levitt's performance. Unlike most, I didn't mind the foul-mouthed Rogen, who on the contrary brought the same freshness to the film as he did to his sick friend. It's a weird film, there are some really funny and light-hearted moments, but when you realize what's actually going on and how things will turn out, the laughter comes out a bit hard. But on the other hand, the expected happy ending finally hits us so hard that we want to jump out of our chairs, give our emotions free rein; we want to live. And this is exactly what this film is about. 80% (01/27/2013)

Breaking with tradition, I will begin my comment about a good film by not recommending it. I don’t recommend watching 50/50 on a train. I watched in on the train and I was quietly tearing up by the end, having a hard time not to start sobbing in front of the other passengers. That would have embarrassing :-D. But about the film – very good. Joseph Gordon-Levitt confirms his quality as an actor, but I feel a little sorry for Bryce Dallas Howard, who this year has played an insufferable asshole in already two Oscar hopefuls and I think I will have her forever typecast in that character. The film parades a lot of emotions, from sadness to happiness and joy, it feels natural and sincere, without any award baiting cynicism. If it cut at the strongest moment right before the ending, I would go for five stars. I won’t say the ending ruins the very positive impression, but it does reduce it. Unfortunately. Ambiguity would be fitting for a film called 50/50. (12/02/2011)

Stumbling upon an American film about a serious illness and not being flooded by melodrama is such a remarkable event that it deserves proper recognition. The screenplay was excellent in how it managed to weave a fairly down-to-earth story with a decent dose of humor against the backdrop of drama (sometimes tragedy), allowing me to have an exceptionally good time. Moreover, I could easily relate to the main character because even though my situation is different in terms of diagnosis, the reactions of those around me were unfortunately very similar. Even today, I react extremely irritably to certain words, phrases, or expressions because a person can only handle a certain amount of empty words, which are seen as suitable for a specific situation. I just wish the ending was a bit more realistic. / Lesson learned: If you try, everything will be like it used to be. - Oh, come on! Be realistic. (05/08/2022)

Cliched, civil comedy/drama at it's purest. Functional on both counts, though I'd be happy to welcome Gordon-Levitt back as the kind of emotionless weirdo who I wouldn't even lend a ruler to that he played so well in Brick or Inception, and Seth Rogen's humanoid portrayal of everything that would make emancipated women burn from the inside isn't exactly capable of inspiring confidence that he'd ever have sex. *SPOILER ALERT* However, I do welcome the ending, which could have been resolved (and I expected it to be) in a fashionably shitty way given the nature of the film (Adam is taken to the operating room – cut and end; the lady surgeon comes up to the parents – cut and end; alternatively, Adam dies – cut and end), but the happy ending won out. And why not, if the film wants us to relate to the main character in some way, then if we were to die in the operation, we'd have a whole different set of problems, whereas by surviving it, our lives begin anew. I'll change my rating when they diagnose me with cancer. After all, my melanomas do move a little strangely at times. Keep in touch. (05/27/2012)

The chemistry between Anna Kendrick and J.G. Levitt works great. Seth Rogen is appropriately awkwardly funny (more comic this time around), but his role is extremely rewarding to watch and perfectly demonstrates one of the possible ways Adam deals with everything (or, also, how Kyle (ab)uses it). It was nice, even endearing, how Katherine tried to apply her studied and textbook methods to every possible situation, because she was really incredibly cute when she was embarrassed (you almost felt more sympathy for her than for Adam). In short, I've listed probably the highlights that came out of the production of this film. Three hugely interesting characters, and in all cases superbly acted. And the trio of fantastic performances, topped off with some very darkly funny dialogue (the Patrick Swayze bit nearly killed me), a nice minimalist score, and some nice (perhaps naive to some) emotional moments, deserve some of the more distinguished ratings. (01/08/2012)