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At fortysomething, straight-laced Cal Weaver (Steve Carell) is living the dream—good job, nice house, great kids and marriage to his high school sweetheart. But when Cal learns that his wife, Emily (Julianne Moore), has cheated on him and wants a divorce, his “perfect” life quickly unravels. Worse, in today’s single world, Cal, who hasn’t dated in decades, stands out as the epitome of un-smooth. Now spending his free evenings sulking alone at a local bar, the hapless Cal is taken on as wingman and protégé to handsome, thirtysomething player Jacob Palmer (Ryan Gosling). In an effort to help Cal get over his wife and start living his life, Jacob opens Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style that can’t be found at Supercuts or The Gap. Cal and Emily aren’t the only ones looking for love in what might be all the wrong places: Cal’s 13-year-old son, Robbie (Jonah Bobo), is crazy about his 17-year-old babysitter, Jessica (Analeigh Tipton), who harbors a crush on Cal. And despite Cal’s makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading him back to where he began. (Warner Bros. US)

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Reviews (12)

Malarkey 

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English A pleasant film that changes absolutely beautifully over time. I was quite impressed by how many interesting and big names they managed to rope into this movie. Maybe they wanted to shoot it for fun, because I doubt that they could get that much money out of such relationship-centric romantic movie. Anyway, the most amazing thing in the movie was Ryan Gosling. He was changing right before my eyes. First he was a flute player who scored with every girl he looked at, and then he was a boy who fell head over heels in love. And I believed him all that one hundred percent. Without him, the film would’ve definitely been only a half of what it is. But not only without him; Steve Carell is great as well. I just don’t understand why he’s being referred to as a comedian. He hasn’t grabbed my attention as a comedian yet, but he did convince me that he is a good actor. The film itself is about relationships with those we love and also about the fact that sometimes these relationships go into a slightly different direction than we would actually like. It was definitely a nice movie, but watching it once was enough for me. ()

Stanislaus 

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English A romantic comedy that is incredibly enjoyable, well acted, and not based on a script that is completely stupid, soulless, or tasteless. The joys and sorrows of love are a rewarding and inexhaustible subject that translates well to the screen. Moreover, Crazy, Stupid Love manages not to get bogged down in clichés and awkwardness, as is often the case with films of this genre. In addition, a film starring Julianne Moore and Emma Stone together would be worth watching just for their presence alone. In short, a nice and sweet film that makes you laugh and moves you, in both cases pretty honestly from the heart. ()

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lamps 

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English Such a stellar constellation, and such a shallow result. What does it matter that actors like Carell, Moore, Emma Stone or the new hearthrob Ryan Gosling shine in front of the camera, when they are part of a script so naive and shallow that it was impossible to ignore. The three romantic storylines fit together beautifully and the first face-to-face meeting of all the characters raises the film to a slightly higher level, but with the exception of Gosling's affair, the stories are not very interesting, in some respects they’re downright far-fetched (I would have shot that little boy), and also blindly predictable until the final reconciliatory happy ending. I don't want to criticize too much, because this comedy certainly doesn't deserve it, but as much as I was looking forward to and expecting an American version of Love Actually, in the end I had to put up with just another routine movie that was neither very funny nor original. 70% ()

D.Moore 

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English I wonder why Steve Carell took on another almost identical role after the great Dan in Real Life? Why didn't the film end with a great confrontation in the garden and have to have that awful ending? Why did Ryan Gosling get on my nerves so much? Okay, I'll answer the last question myself right now, since I'm heterosexual, but the first two remain a mystery. Still, Crazy, Stupid, Love isn't a bad spectacle. It's just worse than the aforementioned film four years before. ()

Kaka 

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English There's loads of these brisk, funny, situationally attuned, brilliantly shot comedies with polished casts in precisely fitting jackets, and no less precisely fitting roles. And if there is also an interesting dramatic subtext and some wisdom from life, much better. It should be noted, however, that Crazy Stupid Love entertains just a little bit more than its contemporaries. It's hard to say what it is, maybe the directorial dynamics, maybe the immediacy of the main characters, in any case, it’s great. ()

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