Directed by:
David FincherScreenplay:
Jim UhlsCinematography:
Jeff CronenwethComposer:
The Dust BrothersCast:
Edward Norton, Brad Pitt, Helena Bonham Carter, Meat Loaf, Jared Leto, Zach Grenier, Holt McCallany, Eion Bailey, Richmond Arquette, David Andrews (more)VOD (3)
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In this adaptation of Chuck Palahniuk's 1998 novel, Brad Pitt stars as Tyler Durden, a sociopath filled with anarchic rage, who organizes an underground organization of "fight clubs". These clubs, in which young men with white collar jobs engage in no-holds-barred bouts, spread across the city. But Tyler has far more insidious plans - he enlists the aid of his unassertive friend, Jack (Edward Norton), to destroy conventional "society" through a deadly series of bombings. When Jack realizes the nightmarish and shocking truth, he fights to bring Tyler down. (Criterion)
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Reviews (10)
David Fincher showcases an incredible game, which is not only about how well the whole story is crafted, but especially about how it is shot. It is expected that the performances are mesmerizing, but the way film techniques are utilized, various camera attacks, the insertion of seemingly nonsensical flashes, the mosaic of dreams and reality. David Fincher is the king of dark psychological thrillers and he proves it with essentially every film he makes. ()
The genius directing by David Fincher plays the main role in Fight Club, being able to keep up with the anarchically crazy literary manifestation by Palahniuk against the current lifestyle of western society. Someone else who contributed a lot toward the excellent result was Jim Uhls, who adapted the book into a screenplay that could be used to make a movie. Unarguably, the book is a stronger experience, but the movie also has much to offer, thanks to the actors, the technical side and, primarily, Fincher’s playfulness. On the other hand, the original book isn’t one of the best things ever to have trickled out of Palahniuk’s sick mind. ()
Cult. Technically without hesitation (as it’s typical with Fincher), staying always one step ahead of the viewer, and always fun, original and solid. Maybe you’ll guess the twist, but even knowing it doesn’t affect the amazement at the ingenious deconstruction of the film space and the interpretive ambiguity. An excellent Norton and an equally good and inimitably cool Pitt. It’s impossible not to break the first rule – you don’t speak about Fight Club. 95% ()
The most indigestible, but intellectually and thematically the most charged and perhaps the most seductive Fincher's film for someone. And after mature consideration, also my favorite. Anarchy, fights, and at times hopeless situations, depression, and despair. But above all, life in it! Living energy of all characters at any time of the day, night, or person at any time. ()
An undisguised anarchist tinge of unapologetic shitting on the system? A satire on the emergence of terrorist groups seemingly based on good intentions? The hidden desires of a young man who wants to be something he can't be? Maybe none of it and maybe all of it together? In this case, I don’t care. The fact is that this is a brilliant piece of filmmaking with lots of great moments and food for thought. Fincher kicks ass. ()
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