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The story of world-famous neurosurgeon Dr. Stephen Strange whose life changes forever after a horrific car accident robs him of the use of his hands. When traditional medicine fails him, he is forced to look for healing - and hope - in an unlikely place: a mysterious enclave known as Kamar-Taj. He quickly learns that this is not just a center for healing but also the front line of a battle against unseen dark forces bent on destroying our reality. Before long Strange - armed with newly acquired magical powers - is forced to choose whether to return to his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence. (Walt Disney US)

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Reviews (16)

Malarkey 

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English Maybe I was radiating excessive expectations about this comic book movie that is trying to be different at first sight. What a disappointment it was to me when I realized that not even Benedict Cumberbatch can save a comic book movie that is an absolutely standard comic book movie and that on top of that calls for some pretty strange animations, which were evidently borrowed from the movie Inception. But where I saw the bending of the plane as an original intention, here I see that everything is just a sad effect that is trying to turn the movie into something more than it actually is. It’s a pity. He could have been a unique superhero who has the best catchphrases. But, unfortunately, even Iron Man is cooler than Doctor Strange. ()

novoten 

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English So much information, so much magic – and so little time. It is clear from every scene how much Scott Derrickson (and ultimately, all of Marvel Studios) love the new addition to their universe and happily immerse themselves in all the magical gadgets, spaces, and twists. However, they could have given us more time in this gold mine because two hours can be desperately little at times. I had a great time, and Benedict Cumberbatch was born for the role of Strange, but in order to reach the highest rating (which is not far away), I will have to devour the entire adventure several more times and finally become acquainted with the source material, which I have been putting off for some time. ()

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Marigold 

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English The euphoric feelings of utter ecstasy from the experienced perception of space-time that I had expected from Inception came a few years later. Of course, the size of the vision and the sovereignty of the processing uncompromisingly raise the bar for the other components, but unfortunately, Doctor Strange does not overcome the curse of dull villains (although very charismatic thanks to Mads), flat side characters and generic plots. He is deeply Marvel in this and cannot bend the limits. In other respects, however, this is a deliciously playful and entertaining origin story, in which Cumberbatch finally makes full use of his potential and Scott Derrickson makes you forget the sterile crap from The Day the Earth Stood Still. In order for the Marvel multiverse to hold together, the individual heroes must occasionally put on shackles. So far, no one has suffered as much as Doctor Strange, who has the hallucinogenic explosiveness of the 1960s and the overly legible predestination of Marvel storytelling. Personally, I can rise above it and enjoy this trip beyond the barrier of reality to the fullest. Let’s be honest, a doctor who can assist in his own operation... beat that! ()

3DD!3 

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English Strange. I mean strange and great. An excellent origin, focused on a simple, but gripping story of how an arrogant atheist drops a comb, travels to Nepal and begins to save the human race as the most powerful sorcerer in the universe. What helped him was his photographic memory. Everything of course is terribly fast, so the two or so hours are over before you know it. Maybe it’s also because the main theme is time, my favorite guide. Those keeping track know that the stone that controls time that Thanos needs in his glove had not been introduced yet, but Scott Derrickson dealt with that problem excellently. It doesn’t turn it into a MacGuffin, but simply another instrument in Dr Strange’s trembling hands. Benedict Cumberbatch put on a solid performance, slightly different than from how we are used to him and almost unexpectedly pleasant. Don’t forget that he plays a greedy, self-centered bastard. The supporting characters apart from the terrifying Tilda Swinton were not given much room. Mordo makes just a fleeting appearance, Wong is here for fun and the lack of room for another villain is made up for a little by the best side-kick in the entire Marvel universe – a smart red cloak that everyone would like to have. It’s also a cracker visually, especially thanks to Nolan’s Inception and Interstellar, whose tricks were upgraded by Derrickson to create several more universes inside the… ehm … multi-universe, à la Pink Floyd LSD trip, heavily supported by Giacchino’s music. Even Dormammu turned out right. – And who are you, sir... - Doctor. – Doctor…? - Strange. – It seems strange to me too. ()

J*A*S*M 

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English I’ve switched several times between three and four stars, and maybe not for the last time. Doctor Strange is a nice and fun comic-book ride that stands out mostly with its visuals; the way they bend reality is beautiful to watch. It’s very playful and clever, and those scenes have so many moving parts that if I tried to visualise something like that in my head, my brain would jump out of it. But other than that, it’s your classic Marvel flick with a lacklustre villain. Don’t they have anyone interesting in their whole universe, other than Loki? It’s pathetic already. And Ejiofor won’t pull it out in the potential sequel, either; the origin of the new villain has a pretty hollow motivation. A very important argument for the lower rating is also the total lack of explanation about the rules and limits of the world in the film. I fear that when Strange joins the rest of the Avengers, it will be such a mess that will bury everything. ()

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