Plots(1)

Lara Brennan (Elizabeth Banks) is accused of murdering her boss after an altercation at work. Her college professor husband John Brennan (Russell Crowe) becomes obsessed with the idea of breaking her out of jail, and their son Luke ceases to acknowledge her during their prison visits. John consults Damon Pennington (Liam Neeson), a hardened criminal who has successfully escaped from prison seven times, after reading Damon's book on the subject. Damon advises John to study the prison, saying "any prison has a key". Damon also warns him that the initial escape from the prison will be easy, compared to avoiding capture after the escape. To that end, John must obtain false passports, new social security numbers, and a "truckload of cash" to have a chance of building a life elsewhere. Damon also suggests going to an unstable foreign country that is politically hostile to the United States, so that there would be no extradition or cooperation with United States authorities. John learns the city's plan for capturing escaped prisoners - 15 minutes after the escape, the police are to block the nearby roads, and that within 35 minutes, the block will extend to train stations and interstate toll stations, and that their descriptions will be at every airport and train station, though it may take longer for digital photos to be sent. (official distributor synopsis)

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Reviews (10)

3DD!3 

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English Old school. Maybe I’m being too generous, but I really like this. Russell roolz. A great idea and skillful execution make this genre film a great watch where you’ll be rooting for the hero till death do you part. Crowe is pleasantly civilian and even reminded me of a guy I know so much that it was weird. Liam Neeson’s cameo was pleasing and Olivia Wilde was amazing as always. And Elfman did another great job with the music. Thumbs up. ()

Marigold 

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English A very thrilling civilian thriller with an ending that irons out all moral dilemmas and doubts to the detriment of the whole. Russell Crowe is beginning to find himself in the roles of overweight intellectual gladiators. And he's definitely doing better than the dashing outlaws. Overall, a pleasant surprise that will not disappoint fans of "escape" movies. If it wasn't for that excessive schematic ending, I'd give it a clean four stars, so I'm pointing out that on star is a little less than full. ()

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Isherwood 

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English A remake better than the original. That’s mainly because Haggis is much better at family tension than Cavayé. He succeeds mainly because the American family is much more accessible. The burden of the husband's fate is not almost existential, but instead is driven by a clear daddy motivation and offers more audience-appealing elements (the tennis ball tick, the bumpkey, the time press). My only criticism is towards the lack of more vigorous chasers (Quinn’s character is basically made for it!). Otherwise, it’s the best "escape" film since The Fugitive. 4 ½. ()

Kaka 

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English Paul Haggis seems to always focus on a topic where he is the strongest: social empathy, in this case, family. A very unique film, packed with emotions and very realistic scenes. The leading duo is phenomenal from beginning to the end. Some scenes are so realistic that make your blood freeze, surprisingly, usually adorned with fascinating dialogues. The preparation for the escape is captivating, but the real inferno only begins when it comes to a breaking point. Ironically, the film, with very little action, is much faster and more lively than most action flicks. A truly monstrous masterpiece, with an incredibly fucking cool, without a single flaw. ()

kaylin 

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English Although I believe that skipping the very end would be possible because it doesn't add that much, the film is otherwise very good, albeit slightly drawn out. The desire to be with his wife again, to keep the family complete, is so strong that Russell's character will do basically anything to make it happen. The scene on the highway is well shot, but there are more. Good story. ()

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