Bad Boys for Life

The best episode. A consistent, funny and very entertaining sequel that makes sense script-wise and doesn't offend with its action. Understandably, it lacks Michael Bay's signature style, so there's a lot less banging and iconic shots. But the unknown director duo have come up with a playful sequel that makes the most of the bare minimum and everything they touch works. Whether Bruckheimer held it together is hard to say, but it doesn't really matter. Bad Boys 4? I’m up. (01/19/2020)

The underdog turned out to be a January hit, both financially and critically, and Bad Boys 3 is definitely the best part of the whole trilogy and a nice start to 2020. Will Smith is back in great form and Martin Lawrence is back to his usual bubbly self, but his humour is great again. I was worried that without Michael Bay the action wouldn't have any bite, but Adil El Arbi and Bilall Fallah are very confident and ambitious in the action scenes, helped by some great cinematography, a large dose of violence and plenty of interesting ideas. The bad guys are good too, especially the for me unknown Jacob Scipio, who does a solid job, and his mother played by Kate del Castillo is also good. I must also praise the music and the very fast pace, where action alternates with humour and there is no time to watch the clock, let alone think. Great fun that has style and flair. 8/10. (01/29/2020)

I was hoping it would be good, but I wasn't expecting it to be that great. It's an action comedy without restraint, but unlike the previous films, it has an important admixture of fatality and impressive poignancy, really. The Expendables (2 and 3) could learn from this film how to mix and serve everything properly, how to make a comeback for the old gang (and a farewell party), how to introduce the new young team, and how to effectively have them work with the old without clashing. Mike and Marcus certainly deserved another movie, as did Will Smith and Martin Lawrence (he impressed me in particular with how well the more serious role suited him). The story is surprising but logical at the same time, the action scenes are just right without Michael Bay, and since it was all about flashbacks, I was very pleased to see the return of Mark Mancina's original theme music. (01/22/2020)

I didn't believe it could be really good. I didn't really hope it would be. So I ended up having a hell of a time at the cinema. Bad Boys for Life is an excellent action comedy with the classic Jerry Bruckheimer signature that not only matches the previous installments, but in many ways surpasses them. True, Adil El Arbi and Bilall Fallah are not as imaginative and aggressive in the action scenes as Michael Bay used to be, but they easily fit into the "above average Hollywood craftsmanship" box and have enough ideas to keep the audience entertained during the shootouts and chases. Far more important here, however, is the humour and, above all, the perfectly natural chemistry between Will Smith and Martin Lawrence. The two clearly enjoyed their roles immensely, and they thoroughly enjoy returning after all these years. Their dialogue exchanges, bantering and mocking each other feels natural and genuine, but most of all, it's genuinely fun and funny, and you suddenly realise that they had no idea how much they had missed Mike and Marcus. Bad Boys for Life is the kind of honest action comedy that only the most optimistic could hope for. And despite a few slightly over-the-top twists, I'll admit that I don't really know what Bruckheimer and his crew should have done to make it better. This movie made me terribly happy. (01/15/2020)

In its fourth instalment, a gerontic reunion held years later, the iconic buddy-movie series Lethal Weapon set out on the path of a sitcom or television genre show for middle-aged people. With its protagonists a decade older, Bad Boys makes a bee line to the soap-opera genre for seniors. On the one hand, it is fully conscious of that fact, which adds the necessary exaggeration to the film. On the other hand, the exaggerated soap-operatic moments of kitschy melodrama will paradoxically remain in the viewer’s memory longer than the diligently constructed action sequences, which are undermined by the need to digitally insert the aging stars into sequences with physically fit young people. (01/04/2021)