Source Code

Once Duncan Jones masters the storytelling pace, he can be talked about as the new golden child of Hollywood. His films have a good concept, great actors, captivating atmosphere - and too long a duration. Fortunately, with Source Code, it is not such a problem as with the overstretched Moon, but still, I couldn't shake the feeling that by cutting about ten to fifteen minutes, it could have been the most tension-filled film of recent times. Nevertheless, thanks to the still very solidly paced plot, the chemistry of the main duo, and above all, the well-rounded ending with a twist - it is a cinema experience with an intensity that many action thrillers hopelessly lack. 75% (05/12/2011)

I like the fact that Duncan Jones sells utter banalities as little unobtrusive indie pieces, where many (rightly!) shout the words of the savior of intelligent sci-fi, and so on. With Source Code, however, I can't help thinking that if the whole thing had been treated as a quarter-hour short, the result would have been better than this feature film, which harms itself by trying to do too many things at once (time paradoxes, military trauma, the love story). In addition, the protagonist has the option to press the "load" button so many times that you eventually realize that he has to be able to do it once, just like in a PC game when you start from the same checkpoint for the umpteenth time and hope that this time you won't definitively die. 3 ½. (09/01/2011)

Jake Gyllenhaal is cool, the film has a brisk pace, but my god! In science fiction you can use any crazy idea you want, but it has to stand on sufficiently firm laws, which isn’t the case here. This fictional universe is haphazard from the get go, and let’s not talk about the ending. Taken together, Source Code doesn’t have any climax. The last fifteen minutes could have turned into either an utterly irrelevant and uninteresting filler, or in nonsense, and unfortunately it was the latter. I was really thrilled with Jones’ previous film, Moon, but this is one is just a popcorn movie that squanders a very good premise, which if more refined could have resulted in a sci-fi gem. PS: Before the screening I was almost certain I wouldn’t be disappointed. I’m sorry about the rating. PPS (Spoiler): This film would make a little sense only if I were to accept the hypothesis that the device that works according to clearly explained laws, will work according to completely different laws, and completely differently, and that it will manage generate pure chance, and that by pure chance it will work spontaneously, regardless of the instructions of its creators, who still control it according to the laws they believe it abides to, but actually doesn’t… and I won’t do that :-D (04/23/2011)

In terms of direction, character work, and tension, the film runs like clockwork. All three main characters are written, cast, and performed in a way that evokes a sense of maximum viewer identification and sympathy. The film has high-quality visuals, camera work, and atmosphere, but the list of strengths suddenly ceases if you reflect on the screenplay. It departs from the field of science fiction, which plays in the style of "what if," but still adheres to a logical interpretation of the world, whereas in the case of Source Code, logic took a vacation. Here, the story is based on a logical short circuit, a nonsensical premise that filmmakers get away with simply because a significant portion of the audience has become accustomed to switching off their brains with the first shots of a film and enjoying the visual effects and action. Another problem is the traditional Hollywood happy ending. This film would be much more impactful if it ended with the sacrifice of the main hero and his voluntary demise in the capsule in the laboratory. Overall impression: 60%. (10/14/2013)

Catharsis. Not only did Source Code cross into the realm of quantum physics and sociology, it entertained and surprised me. Classic thought transfer (hi to fellow SGU fans) doesn’t happen here in the way that most genre experts would think, but in a much more sophisticated and I dare say less researched way. Ingenious action sequences come fast and furious and the audience has no time for any sense of doubt to emerge. In fact, there is no need. It’s disappointing that the finale is rather lacking in ferocity, but things needed to slow down a bit because, even though I consider myself to be a sci-fi connoisseur, I had trouble keeping up. Gyllenhaal is awesome again (forget that hairy prince) and you’ll find it as easy to fall in love with Michelle Monaghan as our hero does. Duncan Jones steps on the gas and after the excellent Moon (and we find a reference to this) he continues up the stairway to perfection. Bacon’s background music is a real treat. (04/26/2011)