Contagion

A sterile clinical procedure that goes against the greatest genre conventions and its brilliantly organized yet pedantic narrative proves that Soderbergh is equal to Fincher in this regard. Unfortunately, there are a few pointless scenes and schemes, but with some passages of resolution and distrust, Contagion is close to its maximum. It shows better than any other disaster film that fear is the worst contagion. (10/13/2011)

It has too little escalation to pass for a thriller, too little space for character development to pass for a drama, and too much casual presentation of empty "facts" to pass for a quasi-documentary. The half-heartedness exuded by every other scene is at times unbearable, regularly making a hard-luck child out of Stephen Soderbergh. As nothing more than a popcorn movie filled with tension, Contagion could have landed with much greater impact, but as it is, the creative intentions here completely missed the mark. (01/01/2012)

Contagion is high-quality filmmaking craftsmanship in the typical Steven Soderbergh fashion, with the intelligent idea of a global catastrophe and how to deal with it, topped off with attractive characters. Rather than “ordinary people”, the film focuses on characters who are in a position to deal with this problem directly and who, through their vulnerability, are also shown as ordinary human beings. The “chemical” atmosphere is emphasized by progressive electronic music without a single emotion. There could be more powerful moments and the best parts should not have happened at the beginning. The explanatory ending is sloppy. Overall, Contagion is a decent alternative to disaster movies as we know them from Emmerich and such :-) (10/13/2011)

Oh, shit! No more shaking hands with strangers... To the point, perfect craftsmanship. It documents the course of the infection in rather a minimalist manner and the life stories of people just happen by the by, and a chain reaction occurs that leads to others being infected. Surefire sterility is augmented by the music too. The literally disgusting Jude Law enjoys his role and Matt Damon is pleasantly civilian (there are no small roles). I was a little disappointed by the sloppy ending (even though it’s probably nearer reality), Contagion had greater potential. (12/17/2011)

Typical Soderbergh, a cold, atmospheric (music, camera filters), surgically precise film. Contagion basically imposes nothing on us, it just shows the possible origin of an infection (banality) and its consequences in the context of human infection (captivating). This is followed, of course, by other things like hysteria, looting, religious problems, ethnicity, basic needs, etc. Perhaps a slight advantage for the director is the fact that he’s working with a topic so interesting in itself that even if the film wasn’t that good, its potential to captivate would still sweep away the shortcomings. Essentially, a film that is impossible to tear away from. (01/01/2012)