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In Fast Five, former cop Brian O’Conner (Paul Walker) partners with ex-con Dom Toretto (Vin Diesel) on the opposite side of the law. Since Brian and Mia Toretto (Jordana Brewster) broke Dom out of custody, they’ve blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom. As they assemble their elite team of top racers, the unlikely allies know their only shot of getting out for good means confronting the corrupt businessman who wants them dead. But he’s not the only one on their tail. Hard-nosed federal agent Luke Hobbs (Dwayne Johnson) never misses his target. When he is assigned to track down Dom and Brian, he and his strike team launch an all-out assault to capture them. But as his men tear through Brazil, Hobbs learns he can’t separate the good guys from the bad. Now, he must rely on his instincts to corner his prey… before someone else runs them down first. (Universal Pictures US)

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Reviews (14)

DaViD´82 

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English I sincerely doubt that the screenplay contains other words than onomatopoeias, but this just makes it more powerful the way all the “boom, crack, screech, ratatatat, splosh etc." could be reformed into such intense and easy to follow action in the movie which is a lot (really a lot!) more similar to classic heist movies with cars (the original The Italian Job) and big budget, no holds barred action movies like Bad Guys II than to earlier parts that, if you were being kind, were barely average, tuned up CGI trash for teens. And the action is unusually varied, from testosterone-charged hand to hand combat, through various mass shootouts in the favelas, to demolition derby involving half of all cars in Rio. ()

novoten 

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English Who admired two years ago the old-fashioned approach combining action movies with relentless car chases will praise Justin Lin even more this time. Exactly the same thing happened to me. Although the fourth installment was a very pleasant spectacle, it simply pales in comparison to the fifth in every aspect. Another gear of speed is here and a real action gem comes, where you don't have to question yourself if you really like it or if you are making some small favor to well-known faces. Because here, you won't even have time to catch your breath properly. This is especially true for the infernal final half-hour, which is so dazzling and (in a good sense) deafening that it has rightfully elevated the franchise from being a familiar favorite to a massively visited series of blockbusters. And the biggest asset? Dwayne Johnson's beastly character and his already iconic role. 85% ()

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J*A*S*M 

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English The first film of the franchise that I watch, attracted by the very good reviews. What I got was precisely what I expected: very well made silliness. Some of the one-liners are funny, some are ridiculous. The action is pretty brutal, you can really feel the style and the energy, even if (especially by the end) it felt a little physically fairytale-like. It’s a watchable film and one of the best in the “summer action nonsense” category. ()

Lima 

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English Hands down, the best episode of the series. Unfortunately, the overwrought pivotal action scene at the end, with a half demolished Rio and a massive vault behind two bulldozers, was too far beyond the edge of acceptability for my taste. And when they open their mouths in the non-action passages and the characters spout life's truths and wisdoms, even Mrs. Cliché and Stupidity run to hide behind the camera in terror, it was really hard to listen to. Thanks at least for Dwayne's character of Agent Hobbs, because you can never have enough of The Rock and his fist fight with Diesel, when the surrounding walls were collapsing like styrofoam backdrops, brought me out of my lethargy. ()

Isherwood 

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English This is the most honest bit of action in the last couple of seasons. After the demolitions of the digital Englishmen, the real stunt cars began to be destroyed at such a pace that Hollywood insurance people must have jumped out of their skin when they finally saw it. Lin manned up like few before him and fueled the tried-and-true blend of all the previous films, topping it off with the necessary octane by casting The Rock. Luke Hobbs, an overgrown, muscular beast, is brought in by an army transport special, and all hell breaks loose in a way that we would have looked for in vain in films that were originally about tuning, lots of nitro, and asses in tight shorts. Catchphrases can be heard all the time, there are some great action inserts, and then there is the fight we’ve wanted since Sylvester Stallone was rolled up by Steve Austin. The Diesel vs. Johnson fight is a physical bulldozer that breaks tables, knocks down walls, and still manages to exude that manly anger that such duels often lack. It all culminates in an action-packed ride through Rio de Janeiro that will have you running around like you did a year and a half ago in "Modern Warfare 2." An overflowing genre box. A regular aspirant for the Top 5 blockbusters of the year and a compliment to Lin. The Terminator idea suddenly looks very promising. ()

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