Super 8

Super 8, whose first teaser was released a year before the premiere, is an ambitious project that recycles all of the clichés of the genre and the period. J.J. Abrams is brilliant in the technical aspects, but the scope of his imagination and sense of consistency are not enough to create an equally brilliant script. This is evidenced by the film’s biggest shortcoming – the sloppy, stupid ending. Super 8 is not boring, and it has a nice 1980s atmosphere and skillful child actors, but it lacks suspense and surprises. It’s a wannabe horror (and let’s be frank – unnecessary) version of E.T., which an older viewer will watch without much excitement, while the contemporary teen audience, raised on Lord of the Rings, The Matrix and Twilight, won’t find anything of interest in it. Abrams should have paid homage to a great artist who inspired him to become a film enthusiast in the form of a letter instead of keeping us in anticipation of a remarkable film event for a whole year, in vain. (09/08/2011)

Spielberg 101? No way, this is a far more advanced class. Apart from the final emotions between parents and children, everything works in this film. What surprised me the most was how likeable the kids are, and their good performances – especially Elle Fanning and Joel Courtney. If Abrams made a serious sci-fi thriller with the same skill, I would be jumping in joy, even higher than now, but this badass E.T. phone home is just great. You won’t see hectolitres of blood flowing from the screen (though there are a couple of proper horror scenes: the attack on the petrol station and the underground liar), but you’ll get hectolitres of love for cinema. Unless you need to prove to yourself or someone else that family adventure films are below your “level”, this film can never offend you – so I don’t understand the initial displeasure here in Filmbooster. It’s a very subjective full house (I am aware of several screenwriting crutches in the second half), but also very strong. The most pleasant film of the year. (08/30/2011)

What the heck, disposable action deities may hark back to the glory days, but do we no longer like to take a nostalgic look back at adventure sci-fi movies that were family friendly in the sense that there was something for everyone? I don't really understand. In my opinion, Super 8 is really cool. Technically, it is incredibly perfect, and plot-wise, it is a cinematic treat in the spirit of the films of Steven Spielberg, Joe Dante and Robert Zemeckis. J.J. Abrams pays the same homage to Spielberg that Michael Giacchino pays to John Williams (again) with his amazing soundtrack, the child actors perform flawlessly, the atmosphere is properly magical, suspenseful and often quite sweetly (intentionally, of course) funny, and I don't even need to mention the ILM special effects. No, I really have nothing to complain about regarding this film. (11/24/2012)

Abrams carried this baby in his head for a really long time and his care is evident throughout picture. In story terms, this is a typical King movie (J.J. is a big fan) with some references to Spielberg’s most famous sci-fi. Excellent casting of the kid parts, gallons of emotion, perfect music by Giacchino, suspense, entertainment and a feeling that once upon a time everything was somehow better and slower moving. (10/22/2011)

J.J. Abrams uses exactly the trick that Steven Spielberg used thirty years ago to captivate audiences in E.T. the Extra-Terrestrial. What the children do and how they explore the circumstances surrounding the unknown phenomenon makes sense. What all the various parents do, however, feels less genuine, and suddenly, the majority of adult characters seem very unfamiliar, and the viewer must root for the children's efforts to succeed down to the last detail. This may explain why a wider range of viewers were disappointed. But after a minute, I understood that I would love the main group and had a clear view. A nostalgic sci-fi in the most positive sense. (09/01/2011)