The Girl with the Dragon Tattoo

  • Sweden The Girl with the Dragon Tattoo (more)
Trailer 1
Crime / Drama / Mystery / Thriller
USA / Sweden / UK / Germany, 2011, 158 min

Directed by:

David Fincher

Based on:

Stieg Larsson (book)

Screenplay:

Steven Zaillian

Cinematography:

Jeff Cronenweth

Cast:

Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgård, Steven Berkoff, Robin Wright, Yorick van Wageningen, Joely Richardson, Geraldine James (more)
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Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist and the tattooed, ruthless computer hacker Lisbeth Salander to investigate. When the pair link Harriet’s disappearance to a number of grotesque murders from almost forty years ago, they begin to unravel a dark and appalling family history. But the Vanger’s are a secretive clan, and Blomkvist and Salander are about to find out just how far they are prepared to go to protect themselves. (official distributor synopsis)

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Trailer 1

Reviews (12)

NinadeL 

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English A nice mainstream fairy tale. The humor and story work even if haven’t read the book or seen the original trilogy. It wasn’t that long ago that Hollywood found it necessary to update and rewrite Japanese and other horror flicks, but if it's currently fashionable to remake Swedish films, I'm somewhat more sympathetic to that. Lisbeth Salander is a girl that contemporary mass pop culture can't do without, so why not be happy that her series is good? Fincher doesn't always suit my tastes, I don't seek out Craig, and I wouldn't have thought Rooney Mara would be capable of such a personality after the Facebook girl. I'm very fond of Stellan Skarsgård this year and Christopher Plummer is king, but the person who is a downright joy to see on screen is the ethereal being Joely Richardson. I need to see Joely more often, and I'm very much in the mood for a little marathon with the original Lisbeth - and that's exactly the effect the film was supposed to have. ()

J*A*S*M 

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English David Fincher is one of the best directors alive and it’s not surprising that he’s made an excellent film. The differences between the American and Swedish adaptations are enough to invalidate the argument of a pointless remake, but I’m still unable to convince myself that I should be satisfied with this new version, I’m not, even though the quality is clear. In short, watching a whodunit when you know who the killer is, is as much fun as going to the sea to watch dolphins, even though you know that dolphins don’t live in that sea. You can enjoy the fresh sea breeze, work on a tan, have a cold alcoholic beverage… but you still know that you won’t see any dolphins. ()

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Kaka 

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English David Fincher's directorial style is beautifully easy to recognize, he imparts it to every one of his films. Brilliantly crafted dialogues, musical score, uncompromising atmosphere. This film could have been made in a number different ways. Essentially, it is a considerably clichéd and well-known story about a serial killer, but in the hands of a master, it becomes a unique cinematic delicacy, where ordinary things are presented in a completely extraordinary and distinctive manner. In the end, it is a seemingly well-behaved and coherent film that is brutally eccentric and demonically precisely shot. I wouldn't expect anything less from Fincher. ()

Isherwood 

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English My slight disappointment stems paradoxically from my ignorance of the book, which is obviously not very suitable for filming. This is because the quantity of names becomes annoying after a while, although otherwise, Fincher does great work as usual in all other components, so we do get a great soundtrack (but this time it's too "off the charts" for the Oscar race:)), excellent cinematography (which underlines the pedantic narrative), and precise actors. But I'll definitely go see it again. The fact that the gardener is the murderer will soon dawn on even the slower folks, but that's beside the point. How we get there is the first priority this time. Fincher is the best director alive right now, period. ()

lamps 

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English It's obvious that his film is a completely unnecessary contribution considering the two years older original, but that in itself doesn't detract from the fact that it's excellently made and once again highlights Fincher's mastery as a director. After Se7en and The Game, it would seem that he can't surprise with anything, but he makes another great two and a half hour detective story based mainly on interviews and collecting clues, and not only keeps the viewer's attention, but also perfectly imbues them with his dark style and pulls them right into the middle of that merry-go-round. He had already worked with similar material in Zodiac, but here he goes one step further, with not only excellent actors, music and settings, but above all a subtle and clearly defined theme with which he can work miracles. I’m not saying that he’s made a perfect or groundbreaking film, and I understand the lukewarm reception from the supporters of the Swedish original, but for me as a big Fincher fan, The Girl with the Dragon Tattoo was a great experience that I will remember for a long time. 90% ()

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