In Time

A typical Niccol sci-fi flick that captivates and entertains even without futuristic sets, digital robots or any kind of spectacular flying machines. All he needs is a simple yet great idea intelligently incorporated into an action story with humanistic values. Justin Timberlake is okay, Cillian Murphy is excellent as usual, and just undress Amanda Seyfried, cover her in chocolate and spend the last hour of your life with her. This is how respectable Mostow's Surrogates wanted to look. (11/07/2011)

Looks like Andrew Niccol has been partying with Ken Loach. It's beyond my power of comprehension how a kind of pub idea that lays down its meaningfulness in a film right after the first confrontation could win 40 million, regardless of the box office. Putting aside the traditionally excellent Deakins behind the camera and the ever-divine Cillian Murphy (who, of course, makes the acting limits of both protagonists stand out), all that's left is a tiresomely immature anti-utopian vision crossed with incredible Bonnie & Clyde romance and boundless naivety. There's no point in addressing the sheer technical background of time as currency, and in general the entire internal economy of the film has the logic of a 15-year-old Greek leftist revolutionary's brain. Instead it's the Marxist railing against a system that resembles apartheid communism in its centralization (everyone works under a central evil company) that piques the interest. The fact that the film informs us that if an ailing bachelor lays out $315 billion in front of the workers on the street in the ghetto (see trivia), everyone will take their decent piece and go see the world is perfectly consistent with the perception of the world's problems from the armchair of a millionaire director out of touch with reality. (07/06/2015)

I don't want to live in this world. But I would look at it, maybe every day. The brilliantly selected cast of young Hollywood up-and-comers gives you a taste of a story about justice, love, and adventure, but it is precisely the simple yet perfectly powerful idea of an alternative present that creates such a versatile spectacle out of In Time. And yet, because the idea itself is not enough, there is nothing left but to salute Andrew Niccol for the relentless pacing. With the support of Craig Armstrong's soundtrack, it is easy in the decisive moments to forget to breathe. (11/04/2011)

It's not it. The poster and main characters are romantic to some extent, but In Time is a disgracefully wasted opportunity. Andrew Niccol came up with a captivating and highly original story, but unfortunately, he completely fails in other aspects. It's not that I expect flying saucers or a million-person battle, but perhaps just a bit more polished visuals, more fatefulness, more dynamic action, more exuberant artistic stylization, and definitely fewer unfinished plotlines. Buying and stealing time is nice, but if you think about it, it's clear that if someone could gain time just by touching someone else, everyone would have killed each other a long time ago and certainly wouldn't wait in front of a time bank offering thirty percent loans. They could have also done without a certain type of car for the wealthy class, and the retro police cars don't fit in there either – there are simply too many of those things. But to not just criticize, the million year concept is cool, there are occasionally thrilling scenes, Justin Timberlake is good as always, and Cillian Murphy is phenomenal as always. In my opinion, Niccol would have been better as the screenwriter, not the director. (11/12/2011)

The Bonnie and Clyde of the digital age yearned for analog, resulting in a sympathetically understated film set in the future. In it, a single serious nag at the laws of Niccol's world immediately takes away from the positives but is then ultimately saved by the great Timberlake and even better Murphy. (01/14/2012)