Rise of the Planet of the Apes

Phenomenal gem, polished in every aspect. A film with visual effects that are used exactly in the right places and details (the ape faces and emotions), excellent and dynamic action, captivating drama, a surprising intimate touch. Those expecting big-budget action with millions of apes battling the human population will be disappointed. The new apes are going in a completely different direction, significantly more sophisticated and entertaining. It's still popcorn and a film made mainly for “entertainment”, but the inventiveness and enthusiasm of the people behind it for the material cannot be overlooked. Thumbs up, excellent work, and a film that truly entertains from beginning to end. (09/13/2011)

I can't help but find this movie as a whole so paradoxically human. I was mesmerized by the beautiful shots and the perfect music. Watching the apes defy the humans and fight for freedom was an incredible experience for me. That monkey power took over the whole theater. Caesar's legendary line "Caesar is home" made me want to stand up and clap... I am also happy about the casting of the beautiful Freida Pinto. Ladies and gentlemen, you couldn't have done it better. The full 5 stars. (08/16/2011)

Resonant. Revolting. It's hard to guess where Rupert Wyatt is coming from, but we can only be glad that he got to possibly the most surprising hit of recent years. Nobody wanted to see the rise of this ape, the derision over such an unnecessary remake was endless... and suddenly hardly anyone has anything to say about it. James Franco surprises with his acting versatility, Tom Felton confirms his ability to play the villain, and Caesar, accompanied by Patrick Doyle's amazing music, conquers not only the highest branches of the trees but also the hearts of the audience. Despite a few surprising (but not disturbing) logical stumbling blocks, I have to admit that after he pushed ahead in this campaign at all costs, he left almost everyone eagerly supporting these enraged primates yet again. (10/25/2011)

The monkeys’ gazes gradually become more expressive and sincere than the gazes of the human actors, and the initial protagonist, a scientist played by James Franco, and his companions become nothing but a bunch of extras. In other words, it’s rather more "Rise of the Planet of WETA". It has the charm of fantasy worlds, a fast pace, a deluge of visual and screenwriting ideas, perfect action, loads of emotions, a subtle ecological message, and especially the omnipresent positive feel-good vibes without the need for darkness and violence, though the film talks about serious things. It is not possible that it took just a little over 100 minutes. For me, this was a feast, a perfect viewing experience and the most enjoyable blockbuster since the mid-1990s (Jurassic Park, Twister). And here I thought that the problem was just me being unable to go back there. (07/29/2011)

Generally, I tend to avoid American blockbusters knowing that they target a different age category of audience and usually work with genres that I couldn't care less about. If they ever catch my attention, they are mostly light comedy affairs. Serious-minded blockbusters usually reek of pathos and ostentatious arrogance. The novel "Planet of the Apes" operated on a simple principle and set a simple goal: to warn about a nuclear war that would bring humanity to ruin and have the void occupied by an animal species. The original film from the 60s was impressive and effective - mainly because it faithfully stuck to the source material. At the time, it was actually a blockbuster too, but its choice of topic, simplicity, precision, and broad communication made it exceptionally strong. Its younger sibling sells something else and uses different tools. It can be argued that the original Planet of the Apes influenced a generation of viewers, sparked a social discussion, and changed the view on the Cold War. Rise of the Planet of the Apes is a predictable morality tale about the arrogance of humans in contrast to the nobility of the silent face. Many scenes are played solely for the effect, the characters are black and white, and the film is clichéd and literal, blatantly playing on emotions. From the first minutes, I didn't find it likable, but I would give it two stars for its craftsmanship without hesitation. However, that wouldn't take into account the last action-packed third, where there is a revolution and heroic clever monkeys demolish a helicopter in flight or a moving car with an armed crew. It got dark in front of my eyes and my mood dropped at the speed of a skydiver lacking a parachute. The film has enough enthusiastic admirers, so I don't need to exert myself and will limit myself to an overall impression of 10% for the technical execution. (10/07/2015)