After Earth

An inoffensive drama (taking place in the future) about the relationship of a fearless general (strangely detached Will) and his lily-livered cadet son (lily-livered Jaden) and their attempt to get off the planet that they crash landed on. Shy stumbles into one disaster after another, but here he is on top of the direction and he even comes up with some bright ideas. A straightforward and simple story about dispelling fear is very flimsy and the transformation at the end was very forced. So only a fair amount of blood and killer animals keep it above water. Just right, really. And how the Earth started to flourish as soon as those parasites had rocketed off elsewhere... (09/20/2013)

The darker moments are adorned with pointed monologues, unknown beings appear photographed at unusual angles, and family values ​overwhelm trump everything around them. Despite its mild austerity, After Earth is ultimately a pure dose of M. Night Shyamalan, and it disappoints me that Night probably won't have a chance to climb out of the incomprehensible box of an underestimated artist. Because, aside from a few harsh basic lessons about the laws of nature, I would follow this path to salvation to the highest level. 85% and a great desire to ge that chance at least one more time. (09/20/2013)

This film has a promising start. With its interesting sci-fi vision, beautiful visuals and the theme of bringing a father together with his son, who is also undergoing a process of self-realisation process, After Earth has great blockbuster potential. Despite the pleasant charm of adventurousness, however, the result is a weak storyline that fails completely in terms of both emotion and message. It is like when you know what you are supposed to be experiencing as a viewer, but it just passes you by due to its naivety and half-baked nature. To a large extent, that is actually Jaden Smith’s fault, or perhaps we should blame Shyamalan’s directing. (05/15/2019)

After Earth has basically one disadvantage, that it is relatively pathetic and quite predictable within the post-apocalyptic genre, which it down to average. Otherwise, it is a solid film in every respect, even the acting wasn’t bad. Of course, the father is better than the son, but that was expected. Visually very attractive, with interesting and atypical production design and surprisingly, it is often quite captivating. Shyamalan has kept to what he always does, Regardless of the quality of all key aspects, he is always original. (10/27/2013)

Jaden Smith is a supremely unlikeable brat who happens to have a charismatic dad who’s burying him a successful career by pushing him hard into production and acting. And the film itself? An embezzlement of a 130 million budget, though better than Shayamalan's last three flicks, but that’s nothing to be proud of. (09/18/2013)