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A crash landing leaves teenager Kitai Raige (Jaden Smith) and his legendary father Cypher (Will Smith) stranded on Earth, 1,000 years after cataclysmic events forced humanity’s escape. With Cypher critically injured, Kitai must embark on a perilous journey to signal for help, facing uncharted terrain, evolved animal species that now rule the planet, and an unstoppable alien creature that escaped during the crash. Father and son must learn to work together and trust one another if they want any chance of returning home. (official distributor synopsis)

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Reviews (9)

Marigold 

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English Two stars, because unlike The Happening, sometimes something actually happens here. It doesn't make sense, but neither does the story itself. It was as if Will was inventing it half asleep over his son's bed. But what kind of bastard tells a child a similar sectarian and emotionless story of subordination? A Scientologist? Shyamalan films some of the scenes under sedation - otherwise, he wouldn't miss how the dad and son rubberized him. The icing on the cake is a kind of eco message grafted on Moby Dick for unknown reasons. Cruel for a fairy tale, naive for a drama, lame for an action film. I hope the idiot who once called Shyamalan the new Spielberg saw this film. He should kneel and tell us how he feels. And the Indian master should retire to sniff turmeric. Which, of course, will finally happen. Judging by the effects, this is a huge $130 million fraud. ()

Filmmaniak 

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English Shyamalan once again showed that he is not that bad of a director, but also that he really should not write screenplays. The story is primitive, full of dementia and clichés. Smith Jr. in the lead role is also no money-maker. This interesting topic (from Will Smith's brain) could certainly have been more than an expensive-looking and story-free sci-fi about a father-son relationship. ()

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Lima 

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English Jaden Smith is a supremely unlikeable brat who happens to have a charismatic dad who’s burying him a successful career by pushing him hard into production and acting. And the film itself? An embezzlement of a 130 million budget, though better than Shayamalan's last three flicks, but that’s nothing to be proud of. ()

POMO 

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English This film has a promising start. With its interesting sci-fi vision, beautiful visuals and the theme of bringing a father together with his son, who is also undergoing a process of self-realisation process, After Earth has great blockbuster potential. Despite the pleasant charm of adventurousness, however, the result is a weak storyline that fails completely in terms of both emotion and message. It is like when you know what you are supposed to be experiencing as a viewer, but it just passes you by due to its naivety and half-baked nature. To a large extent, that is actually Jaden Smith’s fault, or perhaps we should blame Shyamalan’s directing. ()

Malarkey 

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English This movie has such a precise filmmaking that it’s almost a shame that it’s ruined by individual moments that I simply can’t look past. After Earth is a great movie with an interesting premise and a directing that Shyamalan really nailed. But the really decent overall quality is ruined by, for example, the relationship between the father and the son, thus between Will and Jaden. I thought that it was all too serious and over-the-top. Actually, I didn’t manage to form any kind of relationship with them throughout the entire movie. It felt as if two human robots were on screen. A father with a broken leg talking all sorts of nonsense due to a delirium and a son with a mission that not even the best SAS unit could take on. I was also bothered by some of the individual scenes, like the one in which Jaden jumps off a mountain. I was getting over that for quite some time. But hats off! Shyamalan can still shoot the movies he himself believes in, even with a compromised career. And then the entire movie ends up looking really great, but after about twenty minutes of a “wow” atmosphere comes some sort of a nonsense that makes me sick to my stomach. ()

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