Carnage

It’s straightforward, simple conversational theater translated to the screen. And yet excellent. A good text and four confident actors are all you need. The movie theater roared with laughter throughout the screening, because where else will we all see ourselves other than in stereotypes of arguments and gender wars? Nothing about it is perfect, nothing is convincing and it’s full of acting mannerisms, but it is really nice. Where else can one you Kate Winslet puking all over the screen? That’s definitely included. It's just too bad that Julie Adams from Creature from the Black Lagoon has only a tiny cameo here. (03/21/2012)

Apparently, it doesn't take much to make a good and interesting film. And it doesn't need to burn either a budget or time. One apartment, four people, and well-written dialogue, where you know where it’s going but you still enjoy it. I was expecting a slightly different ending, God knows why, but I'm certainly not complaining. Pretty good, a strong 3.5 stars. (12/07/2020)

Good dialogues are a good foundation of a high-quality dialogue-based movie. The premise itself takes the lead role here – it’s incredibly original – and the actors are doing such a great job it seems they loved the premise as well. My personal favorite was Christopher Waltz and his incredibly arrogant lawyer. Nevertheless, I believe that different viewers will fall for different characters. This movie literally lives and dies with the actors and I believe that a stage play with good actors could yield the same result. (11/24/2015)

Closer was a theater play adapted to the screen, i.e. translated into film language. Carnage is not an adapted theatre play, but rather a theater play shot and edited for the screen. Theatre actors cannot rely on their facial expressions (which the audience cannot see from afar), and that’s why they are forced to overact – they must resort to exaggerated body language and loud voices. Carnage doesn’t translate the original play into film language and statically captures theatrical acting on the screen (while showing the actors’ faces from up close). That’s why some viewers say it’s an unnecessary film. For me, however, it is not unnecessary for two reasons: 1. Even if someone made me see the play in the theater, I’d hardly get the chance to see it with these four actors. 2. To watch these four actors while knowing they’d be happy to perform for Roman Polanski even without a paycheck is nothing short of an honor. (01/27/2012)

Polanski et al. have the misfortune that I saw Carnage at the theatre. There, it made me almost die in laughter, at the cinema, however, I smirked amusingly here and there (mostly over Christoph Waltz’s smirks) and laughed (reminiscing the theatre play). It’s a good film, no doubt, with good performances and direction, but I can’t avoid being disappointed, even though I’m rationally aware that comparing a theatre play with a film is stupid. Though in this case is not that stupid actually, because you can really see the theatrical origin of the film… Some lines are clearly not uttered by a normal film character, but very “theatrically” by a character in a play. (12/29/2011)