Carnage

It’s straightforward, simple conversational theater translated to the screen. And yet excellent. A good text and four confident actors are all you need. The movie theater roared with laughter throughout the screening, because where else will we all see ourselves other than in stereotypes of arguments and gender wars? Nothing about it is perfect, nothing is convincing and it’s full of acting mannerisms, but it is really nice. Where else can one you Kate Winslet puking all over the screen? That’s definitely included. It's just too bad that Julie Adams from Creature from the Black Lagoon has only a tiny cameo here. (03/21/2012)

What Polanski gains with Waltz's smirk or Winslet's unobservable expression, is destroyed by the overburned premise that could not work fully outside the theater. All the coming out of doors and calling the elevator is too stupidly unnecessary in the first half, when it is absolutely clear that it will lead to nothing and everything returns to the two rooms with incomprehensibly violent tricks. Without the convulsive lacing of the plot in one place, the sad irony with directly corrosive satire at its heart would work much better, like this the massacre only hints at. (02/15/2012)

Polanski et al. have the misfortune that I saw Carnage at the theatre. There, it made me almost die in laughter, at the cinema, however, I smirked amusingly here and there (mostly over Christoph Waltz’s smirks) and laughed (reminiscing the theatre play). It’s a good film, no doubt, with good performances and direction, but I can’t avoid being disappointed, even though I’m rationally aware that comparing a theatre play with a film is stupid. Though in this case is not that stupid actually, because you can really see the theatrical origin of the film… Some lines are clearly not uttered by a normal film character, but very “theatrically” by a character in a play. (12/29/2011)

In life, we put on various masks and suppress our emotions and instincts in order to avoid confrontation with our surroundings and not jeopardize our interests and social status. Only in exceptional cases do we take off the masks and reveal our inner selves. In Carnage, this happened to four participants of a meeting that was supposed to serve as a reconciliation. However, vanity, anger, and alcohol led to the abandonment of the civilizational shell and exposed what we usually hide from our surroundings. Carnage is a black comedy about what happens to people when they lose control and become dangerously honest. It would probably be more suitable for theater stages, where it ultimately belongs, but Roman Polanski managed to gather four top actors in a small space, and thus the theater layout doesn't really matter. I had a great time, and as I think about it, it's actually a pity to originally give it 4 stars, so I'm adding a fifth one. Especially considering the two ladies who thoroughly enjoyed playing their hysterical and poser characters. Overall impression: 90%. (10/31/2016)

Closer was a theater play adapted to the screen, i.e. translated into film language. Carnage is not an adapted theatre play, but rather a theater play shot and edited for the screen. Theatre actors cannot rely on their facial expressions (which the audience cannot see from afar), and that’s why they are forced to overact – they must resort to exaggerated body language and loud voices. Carnage doesn’t translate the original play into film language and statically captures theatrical acting on the screen (while showing the actors’ faces from up close). That’s why some viewers say it’s an unnecessary film. For me, however, it is not unnecessary for two reasons: 1. Even if someone made me see the play in the theater, I’d hardly get the chance to see it with these four actors. 2. To watch these four actors while knowing they’d be happy to perform for Roman Polanski even without a paycheck is nothing short of an honor. (01/27/2012)