We Bought a Zoo

A completely professionally made film (perfect editing, amazing cinematography, breathtaking sets...), which thanks to its "soft drink" script manages to attack the viewer's emotions quite indiscriminately at some moments. Fortunately, the whole thing actually feels on the whole quite natural and civil (mainly thanks to the excellent cast), and therefore there is no need to wonder if Cameron Crowe is just forcing your emotions or if the characters are so wonderfully written and acted that you just believe them all. What’s more, the story itself is so beautifully human that perhaps it must ultimately soften even otherwise purely cynical hearts. The ending is so very moving it's almost unwelcome :))) (10/29/2013)

I love it when filmmakers take a good and original true story and interpret it in an utterly beautiful and natural way that brings up a ton of emotions and by the end of the film it makes me feel truly amazing. Films like this are as scarce as grains for forest animals in the middle of desert. Well, that may be a stupid analogy. Simply there’s just very few of them. But still you can come across stories with happy endings that are worth watching. This one is really emotional, because it’s not only about a likable family, but also about the zoo, which instantly doubles the emotions. Matt Damon’s sincere expression throughout the whole film made me really happy. I wish there were more surprises like this and always something I could look forward to and be happy for others for a job well done. (05/13/2013)

Yeah, why not? Why not, for once in your short life, take your own path full of bumps, where even your loved ones will lose their sense of security? Why not believe in something that others would never hope for? Why not throw away past traumas and start again? We Bought a Zoo has an unoriginal story that as a whole ends in the most unexpected way, but I absorbed the varied and beautiful flavours and feelings contained in the individual scenes, the sweetly humorous dialogue, and the overall mood and motivational atmosphere of the film with as much joy as a kiss emoji from my crush (yeah, I wish she would actually think of me at least once a month). A small film, but with a big heart and a haunting last line that almost brought tears to my eyes. 75% (11/23/2015)

"We Bought a Zoo" is exactly the kind of undemanding film that it presents itself as. It begins with tragedy, only to end in absolute happiness. Cameron Crowe directed a film that will please you, give you hope again, that life can be beautiful. Matt Damon plays a man whose wife has died. He has two children that he wants to raise. To escape the past, he decides to move away. However, the new house will be very unusual. It includes a former zoo, where there are still animal enclosures and employees who haven't been paid for some time. Although it sounds like the biggest foolishness in his life, he decides to buy the zoo. The classic American dream can begin, with pathos, clichés, love, but also beautiful scenes. The story is simply straightforward, beautiful, touching, and kind. What holds it together are the excellent performances by the actors. Matt Damon is a guarantee, as well as Scarlett Johansson, but I was very surprised by Elle Fanning, playing a quirky girl who falls in love with Matt's movie son. With this role, Elle has surpassed her sister for me. She showed that she can act and that it suits her very well. "We Bought a Zoo" is simply an effortless, beautifully enjoyable experience. If you are looking for hope after a difficult life event, this is one of those films that can help you find it. More: http://www.filmovy-denik.cz/2012/08/lode-stud-zoo-marylin-pulnoc-v-parizi.html (02/24/2013)

Today’s American genre movies apparently know only two extremes: either complete rejection of certainties and questioning of basic existential values or a safe escape into an idealised fairy-tale world. Cameron Crowe’s new film falls into the latter group with such irresistible guilelessness that I feel ashamed to criticise it for its naïveté. Since I ultimately didn’t get the good feeling that the film ceaselessly pushes on viewers, I’m not rating it higher, but in the same breath, I can recommend that you give We Bought a Zoo a chance, as it can be touching, depending on your state of mind at the moment. It’s solidly directed and offers tasteful humour, even when it comes to the animals. ___ Though the film doesn’t try to hide its affiliation with the Christmas family comedy category (American premiere date: 23 December), it also doesn’t manage to exploit it in any clever way. It is simply an intentionally nice film and nothing more. The type-casting of the characters is flawless; there is no risk that someone would deviate from the clearly defined course. Radical, though of course temporary, deviations are allowed either in the context of the acknowledged game (MacCready) or to confirm the absolute success of the main characters (Ferris). There are no negative characters that could be taken seriously. To be precise, the creepy inspector is a caricature like something out of a children’s book. Like the film’s cast of animals, he serves only for comic situations that alleviate the mourning for the dead wife and the search for a way back to people. The only effort at more sophisticated involvement of the ever-present animals in the central plot is the impassioned (even by the standards that the film sets) episode with the dying tiger. Otherwise, the animals only a) generate grotesque humour or b) try to convince us that it’s natural for them to be locked up in cages. Thomas Haden Church managed to make the most of his thankless role and, unlike Damon, he can deliver his great pearls of wisdom with a light sense of detached humour. The film otherwise falls desperately short. ___ The “fine” mood spiked with rising intensity towards the end (thanks especially to Elle Fanning) made me wonder if that was an intentional change of stylisation on Crowe’s part, resulting in a very clever practical joke. But probably not. 55% (04/12/2012)