The Expendables 2

The first one collected points mainly for effort and for finally managing to finish. The second one sets a faster pace from the beginning, holds it without stumbling, effectively sells the emotions of tough guys - and only then reveals its main weapons. Personally, I think that even though I really like Slye or Jason, I am certainly not the primary target audience. But just tell that to the final showdown at the airport, which must invigorate the senses of every viewer who has ever enthusiastically cheered on an action film. Whether it's anyone from the most anticipated trio shooting, Jean-Claude delightfully delivering lines or Chuck Norris amusing the viewer with a joke about himself, this reached its climax in the final shot. (09/11/2012)

A bad joke. I didn’t expect to like Expendables II very much, I’m not the target audience of the genre of soulless, old-fashioned action films after all, but that I wouldn’t like it even as a well made, undemanding pop-corn flick, was a surprise, especially after the very positive responses. The biggest problem is in the action. To begin with, there’s very little of it, and it’s not even good. Many people praise the fact that this time the camera is not epileptic and the editing is not like a video clip, but instead of that we have long clear shots, when the whole lot is actually not clear at all. West works clumsily with the space, it’s not clear who is escaping whence and whither, who is following whom and where they are shooting at… All the action (with the exception of the opening scene, where this doesn’t fully apply) is basically a tiring montage of someone running and shooting, without any dynamics that would pull the viewer into the plot. And the script, if we can call it that, it’s awful. I know that only an idiot could expect sophistication from a film like this, but this is already too much! The characters move without any concept somewhere in the huge expanses of the former Soviet Union, they amusingly run into each other, and when the heroes are in deep trouble, SOMEONE comes, saves everyone, and then leaves. And they frame it with crap like “Jeez, thanks for stopping by”. Like, what the fuck? There are only about six good jokes and one-liners, and half of them are directed at Lundgren. Expendables II is a product with a short shelf-life (this certainly won’t be a cult movie) that gets good reviews from the fanboys thanks to the same model that makes teenage girls wet with Twilight and Potter-fans love the last Potter films – they can watch their favourite stars doing something on the screen, regardless of what, how and why it’s done. But that’s not enough to make a good film, quite the opposite, actually. Two stars, and I don’t even know what for, maybe for the professional look and the nice dose of light-heartedness here and there. Otherwise, crap. (09/07/2012)

Finally someone understands that nostalgia for action movie style from the eighties with their wall-poster heroes can today function only as tongue in cheek. And precisely because it doesn’t take itself seriously at all, unlike part one, gives this some real oomph. On top of that, the action is easy to follow, not that modern, epileptic style of editing, like in part one. So this time I would definitely consider buying an old, second hand VHS of this with its consecutive monotonous Czech dubbing. (12/24/2012)

“My shoe is bigger than this car!” Arnold Schwarzenegger is the Ed Wood of Hollywood actors. Hardly any film this year will bring me more delight and a bigger testosterone rush than The Expendables 2, an inane B-movie with cheap digital effects and great catchphrases and genre references. And the fact that the best actor playing the movie’s best character is Jean-Claude Van Damme will go down in history. (11/04/2012)

I have mixed feelings. On one hand, things that I always wanted to see, on the other exaggerated prancing about for female fans and zero story. Arnold’s lines are way off. Norris tells jokes about himself and the whole thing is very forced, and not in a good way. The greatest positive element here is Van Damme who enjoys being evil. Anytime he walks into shot, it’s worth it. In the finale, Sly makes the most of how pissed he was that he didn’t land a role in part one. :-) West’s directing is visually high standard, but in places the action is confusing and very little of it is interesting. Jet Li is gone in an instant, luckily we see more of Dolph. I’m giving this four stars, but purely out of blind fandom. Otherwise, someone deserves a slap for the credits. (09/13/2012)