Wrath of the Titans

Wrath of the Titans is a dumb megalomaniacal flick that is packed with action from beginning to end. It also features the best monsters you’ve seen in a movie in the past few years. Due to its one-dimensional characters, however, the potential of its elite British actors is wasted. The film is flat, but visually effective and full of quicksilver energy. Such energy in fact that it might be too much for viewers who would appreciate a bit of downtime with some emotions or – God forbid – some kind of a message. For its target audience, however, it is much more satisfying than the first instalment. If the first movie had looked like that, the second one would have attracted more people to the cinemas. (05/23/2012)

Robert Graves must still be turning in his grave, but perhaps not so frequently this time. Because you have to admit that Wrath of the Titans provokes no wrath at all in its viewers and so is certainly a lot more bearable and better than Clash of the Titans. However, more bearable and better doesn’t mean that it’s bearable and good. (03/29/2012)

A CGI ride that the creators of the old Clash of the Titans would take a single look at before spitting and stomping on the copy of the film with rage. Because everything not done in the old-fashioned way here is done digitally. And these digital orgies are really brutal. Maybe this is the reason that this film is terribly crazy, bordering on insane. It is, however, entertaining, and suited for our times. It’s actually just as dumb as the first instalment, with the added bonus of the camera that barely allows the audience to see a thing, but the authors still think that it creates the feeling of being there with the gods and fighting side by side with Sam Worthington. This made me knock one star off my rating. (07/07/2013)

Compared to Clash of the Titans, Wrath is a gratifying leap forward. All things considered, there was really only one thing that bothered me about the film - the English inscription on Perseus' wife's grave. Otherwise, I want to praise just about everything - from the entertaining plot, which is actually a multiple mythological family drama, to the top-notch effects (I felt like all those chimeras and cyclops were real), the actors (the Fiennes-Neeson duo, the beautiful Rosamund Pike, the impeccable Bill Nighy), the direction (Letterier would never have made such atmospheric scenes as the one in the cyclops forest or one final reconciliation), the music (a simple but striking main theme) to the hairstyle of the main character, who finally looks like he is from the period. (06/25/2012)

Definitely better than the first one. The technical prowess of this sequel is undeniable, especially when it comes to the work with sound and the very clear action (although I expected more based on the trailer). At the same time, the action scenes are very inventive and, in some moments, quite unconventional. What kills it are the boring dialogues, the overused plot structure of dividing tasks, getting acquainted with the main mission, going somewhere to get something, and destroying the main villain. Along the way, someone occasionally helps, someone dies, and so on. Essentially, it's sterile boredom. But thanks to the visuals and Worthington’s solid performance, it's passable. Finally, the 3D actually works as 3D and it's not just for the sake of it, another improvement compared to the first installment. (04/28/2012)