The Hunger Games

It regrettably misses the mark as a social parable and a critique of a reality show (the classic misguided product syndrome: I criticize myself and I’m not aware of it), as a sci-fi hopelessly non-original, toothless as an action film, pubertal dull as a drama... the argument that it is the absolute opposite of Twilight does not stand up - simply because the heroine is "tough and unyielding", that director Ross and especially cinematographer Stern are at a higher level (the raw filming raises it above average), and that the story has a certain deeper subtext - is not enough. The Hunger Games is similarly poser-like dull and harmlessly consumable. I would like to write that this is The Truman Show for teenagers, but the truth is that this is all to which Weir's film is critically defined. If only it worked as "simple entertainment". But it doesn't. Without knowledge of the book, it is confused, unfinished and overwhelmed with obligatory clichés and affected by a very tied up imagination. (03/21/2012)

The only thing worth anything in this film, its theme, has already been filmed in an original, energetic way as a provocative satire in Battle Royale. The American version, striving to be a serious and riveting thriller with a romantic storyline, is indigestibly lengthy, clichéd and uses makeup and costumes like from "2001: A Space Travesty 2" with Adam Sandler. I’m giving it the second star for the pleasantly sober acting of the two main characters, who are the only elements of the film that don’t seem like a bad joke. (03/23/2012)

I didn't expect anything at all, and yet the film surprised me quite a bit. Anyone who starts talking about artificial romance completely missed the point and reading their reviews is a waste of time because they won't be objective. Hunger Games is a game, or rather a romance only on the surface, just like society today (or most of it), which this film criticises in a rather sophisticated way. It starts with the same system as the Hunger Games (a tribute to wars), through pathetic wishes for happiness, appalling (intentionally, for God's sake!) costumes, so criticising the film for that is probably the same as being upset that you're not hungry anymore after eating. As far as philosophy is concerned, I don't really have anything to criticise. Technically, the film is quite decent (the visuals of the city, the sets, etc.). The only slight issue arises during the actual game. Some things seemed a bit half-hearted and sometimes the viewer gets lost in what is meant to be taken seriously and what is just a wink. I won't dwell on the handheld camera, nor the quite inconsistent action scenes (sometimes naturalistic, other times "veiled"). Gary Ross seems be a much more captivating storyteller and philosopher than a technician and director of action scenes. I mustn't forget Jennifer Lawrence, who shines as the modern-day heroine and will one day replace Kate Beckinsale, Milla Jovovich, and other tough chicks, and she to be a much better actress too. Hunger Games is definitely not for classics and narrow minds. I don't quite understand the huge profits because I expected most people would not appreciate the content (which I assume has happened), but apparently, that doesn't prevent it from being a film experience, although perhaps a slightly different one. (04/02/2012)

Twilight for fifteen year-old intellectuals, and I don’t mean it as bad as it may sound. Hunger Games is for the same age group as that other rubbish, but at least it tries (and in the book maybe successfully, I don’t know, can’t judge, didn’t read it) to deliver some social criticism, it’s also about a lot more than whether some unstable idiot will take a vampire or a werewolf as her lover, and the motivations of the protagonists are much deeper. As an undemanding blockbuster, it’s pretty good, it looks quite nice (given the low budget), and the art design of the Capitol and its inhabitants was captivating. The most interesting themes, though, are only sketched out, but maybe the upcoming sequels will manage to complete them, I’m curious. What bothered me the most was the unrealistic behaviour of the characters in the Arena and the fact that I didn’t understand at all how the institution of the Hunger Games is supposed to help the Capitol rule the other regions. The film is not great by any means, but it was decent fun. Jennifer Lawrence is brilliant. 7/10 (03/28/2012)

The Hunger Games, or dystopia for teenagers, utilizes the concept of fighting in an arena, which has been used many times in literature and film. You shouldn't expect any deeper psychology or convincing portrayal of society, but who would expect that from a Hollywood production of this kind anyway? The level of violence is adjusted to the target audience, so anyone expecting uncompromising, gritty action will inevitably be disappointed. However, considering the target segment of the audience, the film works decently on an emotional level, skillfully playing with sentiment, and the relationship triangle between the adolescent protagonists is relatively solid. The cast greatly helps the film, with young stars led by the charismatic Jennifer Lawrence delivering their performances reliably. On the other hand, the depiction of the social elite from the Capitol feels cliché, resembling an unwanted parody of American television show business mixed with a drug-induced trip by a film costume designer. Although I am far from being the target audience, I would probably lean towards giving the film 3 stars, if it weren't for the chaotic editing that significantly drags down the film, especially in the more action-packed scenes. Overall impression: 45%. (01/31/2022)