Boys Don't Cry

Incredibly suggestive and raw filmmaking that doesn't let the viewer breathe and then surprises them in the finale. Hilary Swank delivers a masterful performance, aided not only by a wonderfully written character but also by a significant physical transformation, including a masculine haircut. It's unbelievable the way openly sexuality and relationships are addressed here. The Oscar is in the right hands, and I believe that the Academy didn't have to think twice. (05/08/2006)

A film with such a strong theme should first and foremost feel believable and credible, which the filmmakers have clearly and quite convincingly managed to do. That "believability and credibility" is achieved here with the help of the actors and the script, which is vital from the author's point of view. The unique performance of Hilary Swank, who at certain moments is perhaps not even acting anymore, but simply "is" the guy, combined with an excellently written story, together create a familiar whole that warns, shocks, moves, and digs very deep into your heart. (09/30/2010)

Hilary Swank proved in this film what a great actress she is and I'm glad she was able to repeat that later on. Here, it's great to see how she was able to adapt to the role, how she got into it, and how she was able to portray this tragic fate in such a way that you don't just admire her for her ability, but also because she delivers the plot in such a way that you experience it with her. (02/26/2018)

I also considered a fifth star, but as Matty wrote in his script, the characters lack depth...The screenwriter assumed that the issue of sexual identity and an intense bloody conflict at the end would be enough for the audience, and settled for underdeveloped characters within a real criminal case. Thanks to the performances, that will suffice, Hilary Swank will have a hard time surpassing this role. Her transformation overshadowed the others - and that's a shame, because practically all the actors are good - Chloe Sevigny deserves special mention at the very least. Directorially, it is slightly above average, and among the other cinematic ingredients, quality music must be mentioned. Overall impression: 80%. (02/14/2008)

I’m not a big fun of indie films from an indie environment about indie people. The last half hour is impressive, but I still can’t appreciate the annoying eternity that preceded it. What captivated me the most is how it’s possible that the characters believe Hillary Swank is a boy. She’s good in it, but… seriously? (06/07/2011)