Moonrise Kingdom

Sam and Suzy come up with a masterpiece reputation, but they convince me of what I suspected a long time ago. When Anderson talks about family relationships, I am much happier than when he relies fully on nostalgia in coming-of-age stories. That's why I continue to smile with The Royal Tenenbaums, The Life Aquatic, or the underestimated Darjeeling Limited, and on the other hand, a few things bother me about Moonrise Kingdom, which moodily joins forces with Rushmore. All the usual shyness and elusiveness suddenly seem too deliberate for me, and the dialogues are always slightly overdone, to make Wes's typical moods easier to recognize. Bruce Willis, meticulous Edward Norton, and perpetually serious Kara Hayward work perfectly, but even they did not convince me to go on this road trip again. (10/16/2012)

Anderson's scout sale - contrived, copied from previous deeds, atypically unfinished (so many ideas simply just fade out), and more than anemic in terms of the storytelling. I accept the poetry of the first loves and boy's camping, but I expect more from Wes than the amusing shallowness, which mainly turns into a total spasm in the end. (07/07/2012)

One of the four Wes Anderson films that I really enjoy. The two leads were perfect, well supported by a great cast of supporting characters, especially Edward Norton as Scout Master Ward. The film has a quirky melancholic atmosphere, which is underscored by an aptly chosen soundtrack. It is also full of unexpected traps, such as arrows, left-handed scissors, fishhook earrings, lightning, fallen totems, and child protective services. I had a great time and, unlike during Life Aquatic, I didn't fall asleep. (12/17/2016)

Wes Anderson lives in a strange world full of strange and crazy people. It seems a bit as if his films had eaten a ton of mushrooms before the screening, and I watched the rain alternating with cloudy weather. And that’s when the moon comes out. Anyway, I have to say plainly that I expected a little more, mainly because of the great cast who appear in the film. That included both my favorite Bruce Willis and, on the contrary, Edward Norton, with whom I never know what to think, as well as the director’s staples like Bill Murray and Jason Schwartzman, who are always joy to watch. I didn’t have a problem with the actors; what was worse was the storytelling and the scouts, who seemed to have crawled out of the factory for the absolute. It was nice, but it was weird and that’s why the three stars are just right. (01/04/2013)

I've got used to the fact that Anderson only makes films for a certain audience and that I would have to be high to relate to his fictional worlds. But while The Life Aquatic with Steve Zissou and Fantastic Mr. Fox didn't interest me at all, Moonrise Kingdom was quite good and I managed to have a fine time with it (and I wasn't high). The simple and effective premise plays a significant role, and in the hands of an interesting director, which Anderson undoubtedly is, takes on much greater dimensions of thought and narrative, and the same can be said about the excellent performances of the actors. Bruce Willis in particular, with a proper role after a long time, is a pleasure to watch in a different position than just as John McClane, Edward Norton is also unique as a scout leader, and we will have to keep a close eye on young Kara Hayward in the future. Anderson has finally pulled it off, and even though he alternates excellent moments with weaker ones far too often for my taste, he has managed to create a very easygoing family film with great child heroes, for which one screening is probably not enough. 3 and 1/2* (11/25/2012)