Lone Survivor

From 40 minutes on, the film is action packed with nonstop brutal war scenes! The tension builds as fast as the clearing of enemy heads. The excellent direction and cinematography ensure a painful trip that will make you squirm like the four main protagonists. Each of them plays their role very convincingly. Mark Wahlberg is sharp as ever, Emile Hirsch is strong and sensitive, Taylor Kitsch decently handles the difficult decisions as the leader, and Ben Foster is terrifyingly cold but compassionate. I must highlight the breathtaking camera shots of the four soldiers falling off the cliff, they were gritty and raw and gave the film a great edge. Peter Berg did a good job with the premise and the execution. After the second screening I enjoyed the film much more, so I raise to 5*. 90%. (01/05/2014)

Peter Berg knows how to shoot a proper action movie for men who leave their handkerchiefs at home and go watch a real shootout. However, in this movie, he portrayed one real story, which he filmed in an absolutely unlikely way. It is so unrealistic that it is striking even for me. And I’m usually not that hard to please. It’s unbelievable what the guys survived. The height from which they fell, the number of bullets they dodged and the number of bullets in their body with which they managed to hobble away. Incredible. Despite the fact that the whole way up the hill was stretched in a really stupid way. It’s a real pity that it was so stupid, because everything else was working. Including the amazing expressive music from Explosions in the Sky as well as the Navy Seals unit full of tough guys. (05/12/2014)

The introduction is OK. The middle – and longest – survival part of the film is stunning, visually well-arranged and efficiently conveyed, with several chillingly brutal scenes. The climax is ridiculously simplistic political propaganda for the average US viewer. Overall, Lone Survivor is good film for relaxation, but it will sink into oblivion as fast as all of Peter Berg’s action flicks. (01/17/2014)

A not very sophisticated war movie that disgusted me in the first half with the awful black and white view of the world by the Americans, for whom anyone wearing a turban is a dangerous enemy. Fortunately, things get better in the third act, which gets its feet back on the ground in this regard. Even with all the whistling, the survival-combat part was pretty good fun. (01/05/2014)

Say what you will, but that's the way it really is today, unfortunately. Two hours of pain that is palpable, both physically and mentally, which, with its riveting formal structure and surprisingly strong emotional impact, earned my warm sympathy and admiration. Only Spielberg's landing in Normandy and the action sequences in Coppola's Apocalypse Now have so far evoked such a realistic impression in me within the genre – naturalism almost free of the usual Hollywood clichés and that, although by the end I was feeling the compulsive need to hold a bag of popcorn in my hand, successfully suppresses commercial trappings in favour of authenticity and an extraordinary viewing experience. Moreover, it presents as great heroes ordinary Afghan civilians who have not forgotten to use their hearts and who don't give a damn about the Taliban. In short, Peter Berg has finally started to interest me properly, Mark Wahlberg has definitely become an excellent actor and I regret very much that I didn't catch this movie in the cinema, I would have added that fifth star otherwise. 85% (02/09/2014)