The Firemen's Ball

The best film by Miloš Forman that he made before leaving for overseas. At the same time, a sophisticated and uncomfortably effective sarcastic allegory on real communism in the Czech environment. Lots of venomous lines, humorous situations, and great acting, as well as clever filmmaking that helped Forman succeed in the world. Move the bed closer to the fire so that he warms up. Despite the undisputed cruelty of many scenes, I really like this film. The foreign producer was desperate at the time of selecting the girls for the beauty queen competition, but evidently didn't understand that the director was after something completely different. Overall impression: 95%. (06/13/2006)

It's actually a sad movie about how stupid and hypocritical people are. I have to say, except for a few scenes, I wasn't amused, more like I wanted to cry when I saw it. The fact that there are non-actors, the dialogue is life-like, and the director is Milos Forman did nothing for me. If you hate people for a while after watching it, I hope you won't be surprised. (02/01/2010)

A well deserved great cult-classic, whose humour will be relevant for a long time thanks to the perfectly cast non-actors. The scene with the selection of the beauty queen in particular is simply flawless, especially the expression of Šebánek and co. after the arrival of all the girls' "jewels". Miloš Forman had it in the bag from the beginning of his career, he knew what to expect from a film and what to do about it, and this funny and nostalgic movie is a clear proof of that. (08/26/2012)

A brilliant comedy that is more chilling than funny. Under the commies, every critical film was said to hold up a mirror, and that is very accurate for this film. The fire brigades protested, but it's not about them at all, this film has a much deeper message. The scene with the old man at his burning house is one of the saddest I've ever seen. (04/13/2003)

The Firemen’s Ball is my favourite of Forman's Czech films from the 1960s, and from time to time I like returning to it, with its exceptionally curious choice of a beauty queen (well - actually just a selection of candidates) and the bizarre prizes of the raffle slowly disappearing, while a feeling of boundless (but very desirable) awkwardness grows to unprecedented proportions during the screening. The ubiquitous humorous touch is transformed into a dense, even poignant feeling at the end – during the cottage fire I felt an unpleasant chill down my spine. Now a cult classic of its genre, it has an exquisitely timeless atmosphere. (11/20/2023)