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Billy "The Great" Hope (Gyllenhaal) is the reigning Junior Middleweight Champion whose unorthodox stance, the so-called "Southpaw," consists of an ineloquent, though brutal, display of offensive fighting...one fueled by his own feelings of inadequacy and a desperate need for love, money and fame. With a beautiful family, home and financial security, Billy is on top both in and out of the ring until a tragic accident leaves his wife dead and sends him into a downward spiral. His days now an endless haze of alcohol and prescription drugs, his daughter taken by Child Services and his home repossessed by the bank, Billy's fate is all but sealed until a washed up former boxer named Tick agrees to take the bereaved pugilist under his wing so long as he agrees to his strict ethos. Relentless and utterly committed to a fighter that thinks as much as he throws punches, Tick rebuilds Billy into a new man: one that is agile, fearsome and uncompromising in the ring while thoughtful, loving and disciplined outside of it. Now, as he works to regain custody of his daughter and mounts a professional comeback, Billy must face his demons head-on as he learns that, sometimes, your greatest opponent can be yourself. (Entertainment One)

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Reviews (11)

Othello 

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English I guess I haven't seen any boxing movies yet, but I was still able to guess which character would be in which type of shot TEN MINUTES IN ADVANCE! So, thanks a bunch, Kurt. It's more interesting to watch Fuqua being able to handle this assignment with alternating formal styles. The documentary "talking heads", zoomed in camera during big fights, changing the focus between multiple actors, the hand-held close-ups on faces and dark toning as the hero writhes at rock bottom, and then that quiet simple classic montage style of preparing for the climax. This actually subtly tells you what the film should have been about in the first place, because it seems to me that Hollywood is currently over-indulging in whiny whiny whiners, however much they're played by Oscar-chasing aces like Gyllenhaal. Which is actually kind of funny, because I think the little girl is outperforming everybody. ()

Malarkey 

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English Jake Gyllenhaal was the reason why I watched this movie, but I was a bit worried about the director. Antoine Fuqua makes technically sound movies. So, the action sequences usually work out well. But it’s worse when it comes to emotions, dialogues and all other scenes that contain no action. In other words, most of the movie. Antione fails terribly at that and I actually thought I wasn’t going to be able to finish the movie and that I was going to go to bed instead. I haven’t seen such a boring and worthless movie for a long time. There are plenty of boxing dramas and I think every single one of them was better than Southpaw. ()

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kaylin 

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English I simply enjoy boxing movies and I feel that it's difficult to make one that is truly bad. This one is not great, but it has great locations and you can see that Fuqua knows how to shoot a great scene, not only action-packed but also sporty. Some shots from the ring are just fantastic, even though in the emotional aspect, it's somewhat one-dimensional. ()

wooozie 

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English Southpaw is a movie that certainly doesn't brim with originality. You've seen the story many times in various forms, which is a typical pitfall of most sports movies. But when you get over classic cliches like "The more you get hit, the harder you fight.", etc., you are in for a pretty solid experience. Especially the fights are filmed very well, Gyllenhaal is his usual (above)standard self, and the movie goes by really fast. All in all, I was satisfied in the end. ()

Remedy 

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English The narrative structure is a bit inconsistent, as after a strangely rushed and overstuffed first half, the story basically "starts from scratch". Anyway, with the arrival of Forest Whitaker on the scene, Southpaw spills into its better half. It's not necessarily his acting (he's playing his standard), rather that he has an extremely audience-rewarding "mentor" role here. Perhaps the only thing worth mentioning from the first half of the film is the opening fight, which is beautifully and evocatively shot. Everything else in the first hour felt too superficial and overwrought. The second half is a lot more believable and elevates the final impression to slightly above average. ()

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