Thor: The Dark World

I struggled quite a bit with the first phase of the MCU, and the first Thor was one of the films that held me back the most. But strangely enough, The Dark World has grown on me, and the second phase of the MCU is becoming more bearable. Perhaps it is because there was nothing overly special to explain and we could get straight to the point. Natalie Portman's charms were also finally taken advantage of and the whole thing was a lot more fun. So if this is the final shape that all those origins and the first team-up had to suffer for, then fine. But it took five years. (05/14/2015)

When it comes to Thor, I was sure of my contentment before I even went to the cinema. A few weeks before I watched the movie, I went to Berlin and by chance, I happened to experience the German premiere, which was attended by Chris, Tom and Natalie. This was the first time that I experienced such a premiere and I must say that it is enough to let everything about the movie devour me completely. The atmosphere is incredible. The actors smile at everyone, they sign everything, they make small talk with everyone. Don’t tell me you wouldn’t fall in love with them in the blink of an eye. After this experience, I simply had to go see the sequel. It was a thrilling ride at the cinema. Actually, the mythology around Thor is nothing all that spectacular, but I have to say that among all of the superheroes and reboots of old trilogies, it is very nice to see. In fact, it’s a kind of high-quality filmmaking that doesn’t get taken seriously at all. Unlike other Marvel comic book heroes, this is a nice change. The action is decent, the effects are well-made, the humor is not bad, and then you can add great acting performances into the mix – especially Tom Hiddleston’s – and an inconspicuous cult that’s slowly but surely growing. I just still can’t decide whether I’m team Thor or team Loki. (11/17/2013)

He came, he saw, he was not surprised. Purely as an old acquaintance, I forgive the emotionally collapsed (rather inflated in terms of tone) first half, the Marvel exposition according to the "nothing from something" template is, of course, expected. Nevertheless, it seems to me that the scheme "from the dark depths of the universe will emerge another horse face that has another mega-weapon to destroy the cosmos" is starting to get quite worn out and hackneyed. The best thing about Thor: The Dark World is not the main storyline, but rather the completion of relational peripeteia from past films (Thor x Frigga, Thor x Loki, a comedy storyline with a disturbed Erik). It is shot skillfully, it tries to dilute the theatricality with dark fantasy and a greater richness of relationships between the gods. The result is not dazzling, but at least it works (and where it doesn’t, it ironically thematizes the discrepancy - jumps between dimensions). I was expecting some more surprises and a slightly fresh approach. But the series team hit the Marvel tracks and isn't tearing out the sleepers. In the end, it escalates nicely, Natalie is (more and more the same) fragile, Chris waves the hammer around decently... basically, things are essentially the same as always. Nothing amazing, nothing beneficial, no new interesting characters... a pleasant stop on the way to something bigger. Which I'm actually not really looking forward to. Thor: The Dark World confirmed to me that the only real life line in the Marvel world is Iron Man. If, instead of saving the world, he's worrying about what is going on inside his head. Otherwise, it's a wooden costumed opera that is nice to look at, but it doesn't really move anything forward. I liked the first film more, because everything was new and detailed. The second film just successfully draws from it. Edit: No, I cannot give it 4 stars compared to Iron Man 3... [65%] (11/05/2013)

If Iron Man 3 raised hopes that Marvel movies could at last escape being such predictable “run-of-the-mill, mass-produced, paint-by-numbers movies, inoffensive and targeted at everybody and so suitable for nobody in the end" and head out on their own path, the new Thor tramples this hope deep into the earth. None of it is downright bad, but nothing is downright good either; it’s simply an unambitious safe bet, like most of the previous movies of the Marvel Cinematic Universe. It is only really good where it isn’t taking itself seriously. And moments like that are few and far between; Loki’s cameo conjuring, the coat hanger, the subway, the monster with the doves... And that’s about all. In the end we get about thirty seconds of real entertainment and all the rest is just make-believe? (11/08/2013)

Thor is a weaker comic character than the Avengers, Batman, or Superman. Not that Asgard is not visually attractive or even epic, because it definitely is, it reminded me of the aerial shots on Helm's Deep or Minas Tirith from Lord of the Rings. Unfortunately, the characters in this film, including the main one, are simplistic, straightforward, and mostly boring, especially Loki. The same goes for the screenplay. So, you can expect heroic speeches, a few jokes, a hideous main villain, a hideous secondary villain, a group of heroes in equal numbers, a woman who beautifies the screen, several action scenes, and rhythmic music, so to speak. Oh, and of course, a reference in the last shot confidently heading towards the third installment. WEAKS. There are only two iconic scenes (Loki facing the Monster and Idris Elba as the conqueror of spaceships Part 1), nothing more. Isn't that too little for 180 million? (11/10/2013)