Jack Ryan: Shadow Recruit

The new Ryan does credit to the thrillers of twenty years ago. Which might of course be hard to digest for today’s viewer. Branagh has come up with a relatively untraditional way to destroy America which makes some sense, but those who didn’t graduate in economics won’t be care. It’s maybe a shame that the action scenes are so ordinary, but all is made up for by Keira Knightly’s huge, beautiful peepers. Costner makes the most of his comeback, Pine as Ryan super cool. Rattled or heroic – he’s on top of his role. (05/11/2014)

This central almost-married couple wants to be as witty and genuine as the one from MI3, but they can’t. The action wants to be as intense and raw as in Bourne series, but it's not it. Kenneth Branagh is having a lot of fun, that's true, and Kevin Costner as a mentor, how else, right? Well, there's nothing more to say about this overall average thriller with poorly executed action scenes. (08/09/2014)

The new Jack Ryan wants to be Ethan Hunt and Jason Bourne, but he won’t even get close to Peacemaker. This spy thriller made in 2014 does not have a single action attraction, interesting location or unexpected twist. Obviously, there should have been respect and fear of the main bad guy, when even a scene involving an attempt to hack his computer would create suspense. But it doesn’t work. It is clear to the viewer that such a cookie-cutter scenario would not dare hurt Jack’s sweetheart. For Kenneth Branagh, it was a simple and lucrative Hollywood job, where he got money for both direction and the role of the villain, and that’s all. Let’s move on. (01/31/2014)

It's a shame how much effort they put into making Jack Ryan resemble his genre relatives. In close combat like Jason Bourne, in villainous plots like James Bond, and in dragging his partner into it like Ethan Hunt. But when these three parts are added up, there remains a pleasantly old-fashioned spy ride that has no problem standing on its own feet, yet never finds its own face even for a moment. And that is even more unfortunate given that Chris Pine is always fully successful in the role of the hesitant hero. (02/12/2019)

It's not a total collapse, as is being said everywhere, but it's hard to decide who has a bigger stake in this "failure." Is it Cozad and Koepp, fulfilling the studio task of a fashion reboot of the brand, or Branagh, whose old-school efforts are slipping through his fingers, where he can capture characters and interactions in minimal space (the glimpse of Keira at dinner is a scene you'd love to direct and even more love to act out), but the thriller concept escapes him into an interchangeable genre spectacle without much ambition. (07/13/2015)