It: Chapter Two

In telling a dramatic story and portraying characters in a less coherent manner than in the first installment, It: Chapter Two is rather more B-movie improvisation (the weakest quarter of the film is made up of looking for personal artifacts). On the other hand, the plot is denser and contains more monsters, though they are absurdly incorporated or stolen from somewhere else (the spider head from The Thing finally got more space). Sometimes I enjoyed it, sometimes it was boring, and on the whole I kind of don’t care that I won’t be seeing the third part. (09/13/2019)

If Stephen King's book is a culinary specialty, then It Chapter 2 is a patchwork stew made from the same ingredients. It doesn't taste particularly bad, but it's far from a tasty experience. While the first It movie was a solid start to a story about growing up with a reasonably decent level of scary horror, the second part is more like a horror comedy that is not even taken seriously by its creators, who feel the need to systematically disparage all of its more serious and scary moments with comedic interludes and other alienating means (film quotes, inappropriately chosen music). The schematic story suffers from a number of theatrical shortcomings, the horror scenes are often funny or even a parody, and the clown itself is more of a laugh than anything scary. It amounts to simple, average genre routine that recycles motifs of nostalgic childhood and friendly fellowship from its predecessor, replaces tension building with jump scares and digital spooks, and unfortunately, despite a few solid acting performances and a few remarkable scenes, fails to provide anything else worthy of praise. Again, the question arises as to whether it might instead be worthwhile to film It as a narrative series which, unlike a film, could be truly uncompromising, broader in terms of story and more inventive in working with tension and the psychology of fear. (09/05/2019)

The problem with the second part of It lies in the fact that the director wants to make it in the same way as the first part. The adults, however, cannot work as well as kids in the similar world, because that world was created with kids in mind. The mysterious and fantasy atmosphere stems from the fact that we perceived the world exactly the same when we were kids. That’s why the first It and Stranger Things turned out so well and are so popular. In It: Chapter Two, there’s no reason to believe the craziness on the screen; it just seems like the screenwriter got high and wrote down anything that came to his mind. (12/06/2019)

The anticipated It: Chapter Two didn't live up to the high expectations, according to the reviews, and didn't surpass the first part, but it is still an outstanding horror experience that comes out as a clear winner thanks to this year's weak competition. The film may be three hours long, but it passes by quite quickly, is entertaining enough, has drive and enough horror attractions to keep your attention, something that can't be said for the new Tarantino film, which has a similar running time, but only the last 10 minutes are interesting. Pennywise could have been in the scene more times, but I enjoyed other forms, and one there was one scare that gave me a heart attack. It's not that scary, but I felt uncomfortable with all the scenes. The best sequence is definitely when the group starts looking for their tokens. I had a great time with the film, it looks expensive, the humor works at times, the references are amusing and everyone involved plays it to the hilt. James McAvoy rules! 80%! (09/12/2019)

Everything that didn't work in the first film can be answered here. Which is fine. Of course, I get along better with adult protagonists than I do with children. However, the entire tale of the cursed town of Derry is such terrible bullshit that there's nothing to save it. While it's nice that King rode the Lovecraft wave, transposing his classic far-space fears to the sewers of a small town in Maine is simply a mistake. In addition, the idea that I would have to wait 2 years between films is even more nonsense, which also represents the decline in interest. (06/23/2020)