No Time to Die

This time the Broccoli party played nicely on emotions. And in the role of Bond, Craig tried out the broadest range of inner developments and facial expressions not only of his five appearances in the franchise, but all of the Bond films. As an emotional viewer, I was thoroughly moved. The relationship with Léa Seydoux was nicely deepened. But what about the faulty logic in the main villain’s (Malek) motivation and behavior and the other ill-conceived things? Is it so difficult to polish the screenplay of a much-anticipated, worldwide mega-film also in this respect? A repeat viewing of Spectre the day before was helpful, and No Time to Die follows directly from it. Zimmer is excellent in the suspenseful scenes, particularly in the encounter with Blofeld (Waltz). (09/30/2021)

One thing is for sure, in a year we won't be seeing many filmed concerts like this one. A few hours after the premiere, I can still hear the reverberations in me, so I know something is very right here. Sufficiently Bond cool, sufficiently suspenseful, visually spectacular, and surprisingly still full of emotion. Plus, it beautifully delivers on the demands of the times without annoying the viewer. (10/19/2021)

At this point, Bond would just like to be James (double-o seven can no longer be James due to a reason that will cause the eyes of half of FilmBooster users to start twitching). But in order for anyone to see him that way, he will have to give up his Hemingway-esque fishing in the Caribbean and return to the job that has cost him everyone he loved in the past. No Time to Die is most satisfying as a drama about a man making up for lost years and seeking mutuality. Bond tries out new roles, which gives Craig the opportunity to deliver a more nuanced acting performance. For the intensity of the emotions that he manages to arouse on a few occasion, it wouldn’t even matter that, due to its inclination toward melodrama, the film comes across as rather sedate in comparison to the excellent and unpredictable Spectre. Except, at the same time, the filmmakers responded to the dismantling of the Bond universe in the previous instalment by trying to put Bond back together again – offering everything anyone has ever loved about the character and the franchise – which in many respects goes against the effort to create an entirely intimate and moving portrait of a tormented hero. In order for us to find out how Bond resolves his dilemma, we have to endure yet more references to the events and locations of old Bond films, embarrassing characterisations, cheesy one-liners following the elimination of bad guys, and lengthy and unimaginative action scenes, which are at times reminiscent of The Fast and the Furious in their bombast, and a bland villain whose blather about his parents is only slightly more tolerable than his blather about the plants that he grew in his garden. In the end, the thing most torn here is not Bond, but the film itself, as it simultaneously runs in two different directions. Of all the Bond films starring Daniel Craig, I am least inclined to watch this embarrassing mishmash a second time. (09/29/2021)

The days of going to see Bond for the explosions, gadgets and cleavage are definitely over. Daniel Craig has taken Bond to a time when protagonists bleed, feel and have a finite amount of time. No Time to Die beautifully concludes the arc begun by Casino Royale and, despite a chaotic villain, delivers exactly what I expected: a surprisingly intimate and moving finale for the best Bond of all time, Daniel Craig (09/29/2021)

No time to Breath! If I was an army general, I'd mobilize my entire army of fans and make a mandatory trip to the cinema with everyone. What an exquisite film. I'll freely admit that Bond films have never been my cup of tea, they never earned a star studded full house from me, I’ve always preferred tom Cruise with his Mission Impossible, but once Sam Mendes wass deposed and replaced by Cary Joji Fukunaga, the film took on a completely different dimension, and for me No Time to Die is the best Bond film ever, I can't imagine it could have been done better. Everything here works as perfectly as a Swiss watch and, after three hours in the cinema, I said to myself I want another hour because it's a hell of a ride. From the opening the film rushes from one action scene to the next; PG-13 action, admittedly, but this time I’ll turn a blind eye. Daniel Craig is literally diabolical (the guy deserves an Oscar), Rami Malek and Christoph Waltz are a double villain feature, Ana de Armas doesn’t have much space, but even for that moment she managed to fully grab my attention. The whole story raced incredibly forward, you could tell this was the finale and every single shot and moment was delivered with utter precision and excellence. I hadn’t held my breath for so long as I did here during the dialogue exchanges (maybe the last time was with The Dark Knight), and this is coming from someone who practically can't do without gore. Hans Zimmer’s score once again game me goosebumps. There’s an hour long action opening, an hour long action finale, I couldn't have asked for more. The ending of the film is downright heartbreaking though. The New Bond film put me on the edge of my seat at the end and kept pulling until the final credits. Tears were flowing and the packed cinema hall was blown into space as I was, otherwise I can't explain that three-hour long silence. Together with Suicide Squad 2 the film of the year for me. Story 5/5, Action 5/5, Humour 2/5, Violence 1/5, Fun 5/5 Music 5/5, Visuals 5/5, Atmosphere 5/5, Tension 5/5, Emotion 5/5, Actors 5/5. 10/10. (10/02/2021)