Locke

Imagine a movie that takes place in a car and it has a single character whom you watch for the entire hour and a half. I can’t help but be happy with the result, because Tom Hardy delivered a great performance. Steven Knight, in turn, did a great job directing this movie so I was on tenterhooks the entire time, bating my breath and wondering how easy it is to mess up your entire life. (12/19/2014)

Tom Hardy can fully demonstrate why he is such a great actor. The camera focuses only on him the whole time, we don't see anyone else. To carry the entire film like this is an art and only a few actors can do it. Like Robert Redford, for example. Tom Hardy also belongs to them, and even though it's actually a relatively simple story and no epic things are addressed, it's still thrilling. An hour and a half of one person's life. It shows that our lives are not boring at all. (08/07/2014)

The line between happiness and damnation can be dangerously fragile. Nothing groundbreaking, but nevertheless unique in the way it presents to the viewer the theme of the total inner disintegration of a balanced personality; from the first person, in the closed world of one car, where the work and personal lines of a major life transition collide over the phone, changing the protagonist's life from hour to hour. The conversations are well-written and give ample space to portray the psychological and emotional levels of Tom Hardy, whose performance again beautifully complements the depressing narrative tone and adds an unadorned authenticity to everything. (02/01/2017)

A road movie with a depressing aftertaste. Hardy and his BMW never leave the screen and just watching the suffering in the face of the former is worth it. A self-confident person slips slowly into being a mental wreck, but you don’t find out if he goes over the edge until the end. One mistake, one road, one bad day. Donald, don’t trust God when it comes to concrete! (08/04/2014)

The thriller label that Filmbooster and IMBD gave to Locke generates the wrong expectations. I waited pretty long for those family and work phone calls to be interrupted by some extortionist or psychopath who would terrorise the protagonist over the phone. Yet, to my surprise, nobody like that called and the entire film stayed with the work and family calls. But it wasn’t boring even for a second, which must be credited to all interested parties. (08/02/2014)