Star Trek Beyond

Hit them with MP3s! This year’s first full-blooded blockbuster that kept its promises and remained true to the story. For this anniversary episode, Simon Pegg came up with a story that pays homage to plots from the old series and spiced it up with a few nice (although rather predictable) twists and excellent ideas. The absence of Abrams is obvious. The fatefulness disappeared, but Justin Lin is much better at action scenes (even if an entrance on a motorbike is pretty weird) and provides a slightly different visual feeling. In terms of acting, this is a classic, but the unusual pairing up (Spock and McCoy) is very refreshing, cool lines are abundant. Idris makes a great villain, but you only get to like him toward the end. Sofia Boutella wasn’t as important as I had thought she would be, but Pegg just plain enjoys himself. I thought it good that they didn’t save the Earth, that they meddled in the past, and I liked the doubting sub-story line. I enjoyed it. (08/16/2016)

As a space opera, it's more in the department of Mark Stone than "intended" Star Trek (only introductory ten minutes are in line with the latter one), the pace is furious as in the blockbuster movie and it's packed with action, but the action scenes are way too confusing, and so paradoxically the movie works best as a one-liner comedy, which is not taken seriously, not at all. And it helps a lot. (08/17/2016)

The latest Star Trek bears a striking resemblance to Star Wars on first impression: lots of worlds, strange creatures and smells, cityscapes and space ships. It's just that what is pure invention and creative joy in Star Wars is rather copied from somewhere in the new adventure of the Enteprise crew and set up to look fantastic to the eye, but not so glorious under the skin. The main plot is not even worth commenting on. Basically, there isn't any – unless you count the bad guy who wants to destroy the world, or in this case the universe. After a great opening action scene and a fantastic gala presentation of the combat base (visual effects artists rulez, camera wtf?) comes an exhausting half hour of hanging out on a semi-deserted planet in blackened filters with one cool painted girl kicking ass all around and still managing to listen to music. The ending returns to warp mode and puts up a solid battle, where it narrowly loses to its predecessors, it’s weaker. Less constricted, less dramatic and less dark, but endearingly mischievous with wonderfully layered characters and a healthy essence of humour. (08/22/2016)

Probably the worst episode of the franchise for me. But if every worst episode of a franchise looked like this, I'd go to the movies every day. Unfortunately, the third Star Trek operates with a not very interesting story that doesn't really move the characters anywhere, their relationships don't get much space (although the actors are all pretty well established in their roles), and nothing much actually happens realistically. It's just a story about the Enterprise crew running into a nutcase who wants to destroy everything nice in the universe "again". The middle part, where there's more talking than shooting and fighting, is a bit of a bore, but the beginning and end make up for it easily. We all knew that Justin Lin could do action, but the opening, in which the Enterprise takes a nasty hit, is an incredibly gripping scene that, especially in IMAX, totally stands out. As does the explosive finale, which had me grinning like an idiot as a Beastie Boys fan. Too bad for the slightly off-kilter villain and the aching holes in logic, but it all kind of belongs in a summer blockbuster. So if you want a big, loud, snappy, spectacular and fun movie, the new Star Trek is perfect. (05/15/2017)

I'm THIS close to giving it five stars, because it's not worse than Into Darkness. It has much more routine and confusing action, but at the same time it feels much more relaxed. A simple plot, which in an intimate and humorous introduction refers more to the poetics of the series, a well-used villain that reinforces Kirk's dilemma and the motif of emptiness related to discovering the infinite universe, crunchy dialogues (the most touching parts are during conversations), a solid pace which comes from the screenplay more so than from Lin's directing, which overuses the offset camera and hyper-kinetic shots (in 3D it's really not easy to navigate) a bit much. I was afraid of getting a no brainer, and instead I got vintage Star Trek. I won’t hesitate to sign up for another mission with this crew! (08/08/2016)