Pompeii

A prequel to Gladiator with embarrassing sets, decent fights, especially considering that it’s PG-13, but there are too many references and similarities that are reproduced too clumsily to be nodded in agreement. The acting is basically nothing and the script is a big pile of pathos and a confusion of all the clichés. All that remains is solid visuals and that's it. (09/07/2014)

Flat like a week-open can of Bud. This time it isn’t Anderson’s fault alone. A screenwriter’s mishmash of Gladiator, Spartacus and Dante’s Peak suffers from inane dialogs and mostly predictable plot. Jon Snow is a bit stiff, but if he doesn’t attempt any romance, he’s bearable. Kiefer gets almost perverted enjoyment from playing the villain from the Reich, but that doesn’t make the end result much better. The only really good thing is Shorter’s music, the volcano action in the finale, and I was surprise that it was all over. Do you like sport? (05/31/2014)

On the same day, I also saw the movie "Hercules: The Legend Begins" and I can't help it, but that "Hercules", even though it's a big nonsense, entertained me a little bit more. Not much, but still, you didn't expect anything and didn't get anything. In the case of "Pompeii," expectations could have been a little higher, but they were not fulfilled. Stupid romance screwed onto a disaster. Even if it wasn't related to a historical event, the effect would be the same. Only the eruption of Mount Vesuvius is worth it. (05/03/2014)

Although Paul W.S. Anderson has made a number of downright stupid films so far, most of them have at least entertained me in some way. Not Pompeii, though. The wait for the special effects frothing was extremely long, and when I got it, I felt that it should end again. I wasn't impressed with the central duo either, but Kiefer Sutherland was clearly having a good time. At least someone was, right? (01/17/2015)

When the love or motivation of the main characters is formed by a single bit of dialogue or a transparent situation, not even excellent casting can help. Kit Harington, Kiefer Sutherland, and Adewale Akinnuoye-Agbaje can work hard to bring some freshness to their stereotypical characters, but it only lasts until the script inserts another one-word confession into their mouths. After the highly entertaining The Three Musketeers, I expected Paul W.S. Anderson's next journey into history to be a perfect fit, but despite the fights, horses, destruction, or lava of Pompeii, it puts you to sleep more than it entertains you. (06/17/2014)